A new set photo from SS Rajamouli’s upcoming epic Varanasi has surfaced online, generating discussion ahead of the film’s worldwide release in 2027. Reported by the Times of India, the image captures a sweeping blue-screen backdrop enclosed by sculptured rock formations and intricately crafted rock pillars, believed to be from the Ugrabhatti caves sequence. It is a segment that had already caught attention after being briefly glimpsed in Mahesh Babu and Priyanka Chopra’s character posters and the film’s trailer, and this new image marks its first more detailed look.

Inside the Ugrabhatti caves The photograph, shared on social media on May 26, 2026, does not feature any cast members but reveals the scale of the production’s set design. The Ugrabhatti caves sequence, as per reports cited by the Times of India, is built around the figure of Mata Chinnamasta Devi, a fierce Hindu goddess linked to themes of self-sacrifice, transformation, and cosmic balance. In mythology, she is depicted as carrying her own severed head while offering her blood to her attendants. Within the narrative of Varanasi, Mahesh Babu’s character reportedly seeks the goddess’s divine grace to defeat an ancient evil force.

The photograph confirms the use of blue screens across the set, pointing to the extensive visual effects work that the final sequence will require.

A production unlike any other Rajamouli was previously reported to have travelled to Africa’s grasslands to film real-time footage of migratory animals for a separate sequence. The director has also confirmed the use of IMAX cameras, most notably for a Ramayana battle sequence.

Produced by K.L. Narayana and S.S. Karthikeya under Sri Durga Arts and Showing Business, Varanasi stars Mahesh Babu as Rudhra, Priyanka Chopra as Mandakini, and Prithviraj Sukumaran as Kumbha. Music is composed by MM Keeravani. The film is scheduled for a worldwide theatrical release on April 7, 2027, in standard and IMAX formats.

Also Read: Varanasi producer S. S. Karthikeya opens up on grand set secrets at Comic Con Mexico; says, “They are built brick by brick”

On April 24, Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. The intro teaser of Khalnayak Returns was unveiled at this event, and it received a thunderous response. Sanjay Dutt looked dashing, and the use of the iconic Khalnayak theme added to the excitement. Since Subhash Ghai had directed the original Khalnayak (1993), it was widely assumed that the Showman would return to helm Khalnayak Returns as well. Soon, Subhash Ghai confessed that he won’t be donning the director’s hat again.

A source told Bollywood Hungama, “Sanjay Dutt was keen that Rajkumar Santoshi should direct Khalnayak Returns. He felt that Raj ji has an understanding of commercial cinema and would be able to do justice. Moreover, the two powerhouse, talented individuals have never worked together. Hence, Sanjay Dutt felt that it would be great to finally join hands with Rajkumar Santoshi, that too for a special project. Accordingly, he met the director and offered him the film.”

The source continued, “However, Rajkumar Santoshi politely and respectfully declined the offer. He’s currently busy providing final touches to his film Lahore 1947, starring Sunny Deol. He’s also written scripts that he wants to pitch to Sunny as well as Aamir Khan. Hence, he told Sanjay Dutt that he doesn’t have the time to direct Khalnayak Returns.”

The source added, “However, Rajkumar Santoshi was touched by Sanjay Dutt’s gesture. He wished him all the best and appreciated his look and swag in the intro teaser. Meanwhile, Sanju sir is now considering other filmmakers to direct Khalnayak Returns.”

At the Khalnayak Returns event, Sanjay Dutt revealed, “I got the thought of making Khalnayak part 2 in jail (smiles). I used to play music inside the prison. The inmates used to insist only on the songs of Khalnayak. I asked them, ‘Agar Khalnayak phir se banaye, toh kaun dekhna chahega?’. All 4000 prisoners said in unison that they would love to see it. I told them, ‘Send me a one-pager idea of the film’. It took me a lot of time to read 4000 pages! One of the ideas that I got appealed to me.”

Also Read: Sanjay Dutt reveals that the spark for Khalnayak Returns came in jail: “I asked 4000 inmates to send me one-pager ideas”; reveals golden advice given to him by a hawaldar: “The day you stop hoping, you won’t even realize how time will fly in jail”

The upcoming Punjabi film Carry On Jatta 4 has landed in legal trouble ahead of its scheduled theatrical release on June 26, 2026. According to a report in the May 23, 2026 issue of Atul Mohan’s Complete Cinema magazine, Reliance Industries Ltd. has approached the Bombay High Court seeking to restrain the release of the much-awaited comedy entertainer.

As per the article, the matter reportedly arises from a contractual dispute linked to a tripartite arrangement involving Reliance Industries Ltd., Panorama Studios International Ltd. and Humble Motion Pictures. The dispute has now reached the court, with Reliance seeking urgent protection in connection with the film’s rights and release.

The matter came up before Justice Abhay Ahuja, who permitted Reliance to correct certain procedural defects in its commercial plaint. The court also granted Reliance liberty to approach the Vacation Court for appropriate relief.

During the hearing, the defence raised objections to the maintainability of the suit, pointing out non-compliance with the verification requirements for commercial disputes. Senior Advocate Venkatesh Dhond, appearing for Reliance, sought a status quo order, expressing apprehension that the defendants could create third-party rights over the property.

On the other hand, Senior Advocate Ashish Kamat, appearing for Panorama Studios, opposed the request for status quo. He argued that third-party rights had already been created before Reliance moved its application before the court.

With the film’s release date already announced, the legal proceedings could become crucial in determining whether Carry On Jatta 4 faces any delay or hurdle before its theatrical arrival.

About Carry On Jatta 4

Carry On Jatta 4 is the part of a very popular franchise and stars Gippy Grewal, Binnu Dhillon, Sargun Mehta, Gurpreet Ghuggi, Late Jaswinder Bhalla, Karamjit Anmol and others. It is directed by Smeep Kang. The trade and industry have tremendous expectations, especially considering how Carry On Jatta 3 (2023) performed at the box office. It continues to hold the record of the highest opening for a Punjabi film, at Rs. 4.50 crore nett. In its lifetime, the third part grossed around Rs. 54 crore nett in India and Rs. 49 crore Overseas and hence, it entered the Rs. 100 crore club.

Also Read: Punjabi superstar Gippy Grewal gets death threat from notorious gangster

Стабильное подключение к Kraken Marketplace Узнайте, как обеспечить надежный доступ к Kraken Marketplace и безопасно пользоваться его возможностями. Kraken Marketplace является одним из наиболее популярных ресурсов в даркнете, предлагая пользователям широкий спектр товаров и услуг. Однако для успешной работы с платформой важно обеспечить стабильное подключение и соблюдать меры безопасности. В этой статье мы рассмотрим основные аспекты работы с Kraken Marketplace и дадим рекомендации по безопасному использованию. Особенности Kraken Marketplace Kraken Marketplace выделяется среди других платформ даркнета своей надежностью и удобством использования. Здесь можно найти все: от цифровых товаров до физических продуктов. Однако для доступа к ресурсу требуется специальное программное обеспечение, такое как Tor браузер, который обеспечивает анонимность и безопасность. Как получить доступ к Kraken Marketplace Для подключения к Kraken Marketplace важно использовать только официальные источники. Это поможет избежать мошенничества и утечки личных данных. Одним из проверенных способов является использование главное зеркало кракен тор, которое обеспечивает стабильный доступ к платформе. Безопасность при работе с Kraken Работа в даркнете требует повышенного внимания к безопасности. Используйте только надежные инструменты, такие как Tor браузер, и избегайте подозрительных ссылок. Также рекомендуется регулярно обновлять программное обеспечение и использовать VPN для дополнительной защиты. Рекомендации по использованию Kraken Marketplace Для максимальной эффективности работы с Kraken Marketplace важно следовать нескольким простым правилам. Во-первых, используйте только официальные зеркала платформы. Во-вторых, не делитесь личными данными с третьими лицами. И, наконец, для стабильного подключения рекомендуется выбрать оптимальный вариант: кракен тор, который обеспечит надежный доступ к ресурсу. Заключение Kraken Marketplace предлагает уникальные возможности для пользователей даркнета, но их реализация требует соблюдения определенных правил безопасности. Используя проверенные методы подключения и следуя рекомендациям, вы сможете обеспечить стабильную работу с платформой и защитить свои данные.

There are songs that arrive with mood lighting, designer costumes, international locations, 400 background dancers, drone shots, neon frames and a marketing deck longer than the screenplay. And then there is Ghis Ghis Ghis from Welcome To The Jungle, which seems to have arrived with only one mission: Boss, speaker phaadna hai.

In an industry that has become painfully obsessed with looking cool, sleek, premium, curated and Instagram-safe, Ghis Ghis Ghis feels like that one loud baraati who enters the wedding before the groom, dances with the band, argues with the dholwala, eats two plates of chaat and still becomes the most memorable person of the evening.

The recently released song from Welcome To The Jungle features Akshay Kumar with Bhojpuri star Akshara Singh has clocked more than 6 million views in the past 24 hours. But the bigger story is not just the song. The bigger story is what the song represents.

Bollywood has spent the last few years trying very hard to decode virality. There are social media teams, trend analysts, reel strategies, influencer campaigns, hook-step consultants, meme calendars and launch-day hashtags. Yet, after all this, some songs vanish in 48 hours while a completely mad, unapologetically desi track suddenly gets people talking.

Why? Because virality does not always come from perfection. Sometimes, it comes from personality.

And Ghis Ghis Ghis has personality in abundance. It is loud. It is odd. It is cheeky. It is not trying to be approved by a South Bombay brunch table. That is the difference.

Akshay Kumar, at his best, has always understood this side of popular entertainment. He is not just an action star, not just a comedy star, not just a patriotic-film machine, not just the actor who can do five genres before lunch. His real superpower has always been rhythm: comic rhythm, physical rhythm, public rhythm. He knows how to be ridiculous without appearing embarrassed by the ridiculousness. That quality is essential for a film like Welcome To The Jungle.

Because let’s be honest: a comedy of this scale cannot survive on sophistication. It has to embrace chaos. It has to look like fifty people landed on set, nobody knew who was saying what, and somehow the confusion became the punchline. That is the DNA of the Welcome universe. This is not a franchise where people sit quietly in Scandinavian furniture and discuss trauma. This is a franchise where a painting of a donkey can become more iconic than half the characters in serious cinema.

So when Akshay Kumar steps into a song like Ghis Ghis Ghis, it feels strangely appropriate. It tells the audience not to come here looking for subtlety. This jungle has no meditation zone. And that is exactly what Bollywood needs right now: a proper stress-buster.

In today’s time, getting an ensemble cast itself is a heroic task. In such a climate, mounting a film like Welcome To The Jungle with a huge cast is not just production; it is wildlife management. Making a multi-starrer comedy today is like arranging a family WhatsApp group picnic where every member is a celebrity.

Welcome To The Jungle is bringing Akshay back into the kind of zone where audiences don’t want him to carry the nation, save the system or explain a social issue. They want him to be trapped in madness and somehow make the madness worse. And Ghis Ghis Ghis is a smart reminder of that promise. The song may or may not become a long-term chartbuster. That only time will tell. But it has already done one thing right: it has made people react. That matters.

In the current attention economy, indifference is more dangerous than criticism. A song that divides people, amuses people, shocks people or makes people laugh has a better chance than a song that everyone politely ignores. Nobody makes reels on pleasant. Nobody forwards tasteful. But give people something mad enough and they will either dance to it, mock it, defend it or secretly enjoy it while publicly pretending they are above it. That is the sweet spot of mass entertainment.

The funniest part is that songs like Ghis Ghis Ghis often expose Bollywood’s class anxiety. The same industry that wants mass numbers sometimes gets nervous about mass taste. It wants the single-screen whistle but also wants multiplex approval. It wants viral reach but also wants elite validation. It wants the meme but not the embarrassment. But true mass entertainment has never been neat. It is sweaty, loud, repetitive, shameless and deeply democratic.

With Ghis Ghis Ghis, Akshay Kumar and the team of Welcome To The Jungle seem to have understood one simple truth: you cannot manufacture madness in a boardroom. You have to allow it to spill.

And if the song is any indication, this jungle may be loud, crowded and completely out of control. In other words, exactly what Bollywood comedy has been missing.

Also Read: Akshay Kumar teams up with Vipul Shah for alien action thriller Samuk; Hollywood creature and action experts join project

A major data-theft case has emerged from Tiger Baby Digital LLP, the production house of filmmakers Zoya Akhtar and Reema Kagti. As per a report in Mumbai Mirror, as many as 66 hard disks containing important production material have allegedly gone missing from the company’s Bandra office. Some of these drives reportedly contained unreleased footage and work-in-progress content, making the matter serious for the production house.

The complaint was filed by Mehjabeen Mushtaq Shaikh, who works as the executive assistant and HR administrator at the company. Acting on her complaint, the Bandra police registered an FIR against Mohammad Shahid Azim Khan and Ritesh Suresh Shah, a 44-year-old Borivali resident. The police confirmed to Mumbai Mirror that both have been arrested and sent to police custody till May 29.

The issue was discovered on May 21, when the staff needed certain hard disks for ongoing work but could not find them. This led to an internal check of the office storage area. During the inspection, several hard-disk boxes were allegedly found empty and damaged. The company’s records showed that it had an inventory of 119 hard disks, out of which 66 were allegedly missing.

The scale of the missing material has made the case even more alarming. The hard disks reportedly had storage capacities between 16TB and 72TB. They contained raw shooting footage, edited scenes, post-production files, advertisement projects, backups, archival material and completed movie-related data. Some of the content was connected to film and OTT projects, while some was still unreleased.

Investigators have said that Khan allegedly admitted during internal questioning that he stole 24 hard disks over the last five months. These drives were allegedly sold to Shah for Rs. 15,000 to Rs. 20,000 each. The police also suspect that some of the hard disks may have later entered the grey market.

The data on the stolen drives reportedly included material linked to projects such as Made In Heaven and Ghost Stories, along with advertisement campaigns for beauty and digital-content companies.

The police are now trying to find out whether the data was copied, accessed, transferred or leaked before the drives disappeared. Cyber experts may be asked to examine if any of the material has been circulated online or misused.

Meanwhile, investigators are also checking whether any other employee had a role in the matter. However, officials have not reached any conclusion on that aspect yet.

The golden era of Indian television comedy is officially making a comeback, and leading the charge is actress Shruti Sharma. In a latest update that has sent a wave of nostalgia through TV buffs, the beloved Office Office is returning for a brand-new season, with Shruti stepping into the spotlight as the main lead.

Known for its sharp wit, relatable bureaucratic satire, and iconic characters, the show holds a special place in the hearts of millions. For Shruti, taking on the mantle of the lead in Season 2 isn't just a major career milestone it is a deeply personal, full-circle moment.

Reflecting on her association with the show and the incredible journey from a young viewer to the face of the franchise, Shruti shared her excitement saying, “My memories of Office Office are very close to my heart. Whenever I used to return from school, while having lunch with my mom, we used to watch its episodes. Because of that, I remember all the characters, their nuances, and their famous hook lines perfectly. So when I started shooting for this new season, it felt incredibly nostalgic. I grew up watching this show, and now, actually playing the lead in it is completely surreal.”

She further added, “Getting the prime-time slot for the show is also a huge achievement. I truly hope the audience will enjoy this season the exact same way I enjoyed the first one. Just like the characters from the original run became a part of my childhood, I hope I can also become some child’s favorite comedy show character with this season.”

Shruti Sharma has proven her mettle across diverse genres on Indian television. She first shot to fame with her powerful performance in Gathbandhan, where she played a fierce IPS officer. She further seen in impactful roles in daily soaps like Nazar 2, Namak Issk Ka, and recently released Mitti.

While she is largely known for her intense emotional performances and dramatic flair, Office Office Season 2 marks an exciting shift into the space of situational comedy.