Rabya Khan, the mother of the late actress Jiah Khan, has issued her first public response after actor Sooraj Pancholi’s name appeared in the Central Bureau of Investigation (CBI) First Information Report (FIR) regarding celebrity manager Disha Salian’s death. Expressing deep concern over the handling of the investigation, Rabya drew sharp parallels between the ongoing developments and her late daughter’s legal journey, questioning the potential loss or destruction of critical forensic material.

Taking to social media without naming specific individuals, Rabya voiced her apprehension regarding the resurgence of familiar names after several years. “When I hear that the same name has surfaced in another young Disha Salian murder six years ago, it deeply saddens me and this must alarm everyone,” she wrote. Concerns over evidence destruction and investigation handicaps Highlighting the pivotal role of forensic integrity, Rabya stressed that once vital evidence is compromised, establishing the facts becomes extremely difficult for both investigative agencies and affected families. She claimed personal insight into how evidence can be manipulated, stating she knows what happens when crucial material is “destroyed” or replaced in a way that can “fool victims”.

She also cited what she called “serious discrepancies” previously noted by the High Court regarding the initial probe into Disha Salian's death. Rabya argued that conducting a fresh inquiry years after an event poses severe challenges if foundational proof is no longer intact.

“No wonder they have specifically said no one is accused without evidence. But when crucial evidence has already been destroyed or lost, a fresh investigation will face an enormous handicap,” she noted.

Rabya further compared the framing of the investigation to her daughter's case. She observed that while Jiah's death was ruled as an "abetment to suicide", there were serious questions over whether the alleged act of "abetting" was thoroughly examined. She claimed a similar pattern is currently unfolding in Disha’s case.

Jiah Khan’s mother says, "System repeatedly fails to protect evidence" In her statement, Rabya expressed worry that a lack of concrete forensic proof could ultimately result in an incomplete judicial process or lead to acquittals. “High Court order will give these accused acquittal due to no evidence,” she warned, questioning why evidence capable of uncovering the truth is allegedly not preserved, leaving grieving families “searching for answers”.

She went on to question institutional protocols surrounding high-profile cases, writing, “Think why the system repeatedly fails to protect the evidence that could establish the truth.” Reiterating her demand for transparency and justice, she concluded, “The people are not foolish, it’s different perception created to hide truth when the system tries to protect them,” adding firmly that “Disha deserves the truth, just as Jiah did.” Background on Jiah Khan’s Case Jiah Khan, who made her Bollywood debut in Nishabd (2007) alongside Amitabh Bachchan and later featured in hit films like Ghajini and Housefull, was found dead at her Mumbai residence on June 3, 2013, at the age of 25. Her death was initially investigated as a suicide, and her then-boyfriend Sooraj Pancholi was charged with abetment to suicide. Following a long trial, a Special CBI Court acquitted Pancholi in April 2023, citing a lack of concrete evidence. Rabya Khan has consistently rejected the suicide ruling, maintaining that her daughter was murdered.

Also Read: Sooraj Pancholi DENIES link to Disha Salian death case after CBI FIR names him alongside Aaditya Thackeray, Rhea Chakraborty: “Very unfair and extremely upsetting”

The Supreme Court on September 15, 2026, granted actor Rajpal Yadav a final two-week window to submit a concrete proposal for clearing his outstanding financial dues in multiple cheque-bounce cases. A three-judge bench headed by Chief Justice Surya Kant and comprising Justices Joymalya Bagchi and V Mohana extended the actor's exemption from surrendering until October 5, while directing him to deposit Rs 2 crore with the apex court registry.

The bench strongly criticized Yadav’s past non-compliance with judicial directions, observing that his conduct failed to inspire confidence. “He is perfect at doing drama but this court. Earlier orders of the court have not been complied with,” the bench remarked during proceedings, before deciding to grant him one last opportunity to prove his bona fides. Defense cites financial distress and industry support Appearing on behalf of the actor, senior advocate PS Patwalia urged the court to allow two weeks to present a detailed payment roadmap. He assured the bench that Yadav would deposit Rs 2 crore as a demonstration of good faith.

Patwalia informed the court that Yadav had already served four-and-a-half months in prison in connection with the matter, noting that the actor would need assistance from friends in the film industry to arrange the funds.

Representing the complainant, M/s Murali Projects Pvt Ltd, senior advocate Ajit Sinha emphasized that the firm was primarily focused on recovering the defaulted funds. He told the bench that Yadav had repeatedly failed to honor his financial commitments over the years.

The legal dispute traces back to financial assistance of Rs 5 crore allegedly extended to Yadav for a film project in 2010. According to the complainant, Yadav tendered seven cheques of Rs 1.05 crore each in 2013 as part of a settlement agreement, all of which subsequently bounced.

The complainant further stated that under a 2012 agreement, Yadav, his wife Radha Rajpal Yadav, and their company had agreed to repay approximately Rs 11 crore, inclusive of accumulated interest. The apex court is scheduled to hear the matter next on October 5.

Also Read: Rajpal Yadav gets interim relief from Supreme Court in cheque dishonour cases, asked to deposit Rs 5 crores

Filmmaker Rakesh Roshan has leased two commercial units in Mumbai’s Andheri West to Beingu Studios Private Limited. According to property registration documents accessed by CRE Matrix, the two offices have a combined area of 5,574 sq ft and are being leased for a monthly fee of Rs 7.30 lakh.

The commercial units are situated at Commerce Centre, off New Link Road in Oshiwara, Andheri West. The deal also includes two car parking spaces.

The leave and license agreement was registered on September 9, 2026. The lease has been signed for a period of three years, with a 5% annual increase in the monthly rent. The security deposit for the transaction stands at Rs 10.95 lakh. Rent To Increase Over Three-Year Lease As per the registered agreement, Beingu Studios will pay Rs 7.30 lakh per month during the first year of the lease. The monthly license fee will rise to Rs 7.66 lakh in the second year and further increase to Rs 8.04 lakh during the third year.

The escalation clause is part of the three-year leave and license agreement registered with the authorities.

Beingu Studios describes itself on its website as a content enterprise with operations spanning cinema, television, live concerts and digital platforms. Rakesh Roshan’s Recent Property Transactions The latest commercial lease comes a few months after Rakesh Roshan and his wife, Pramila Roshan, leased their apartment in Mumbai’s Juhu-Vile Parle Development Scheme. The residential property was leased for three years. Property registration documents accessed by CRE Matrix indicated that the agreement could generate approximately Rs 1.89 crore in rental income over the complete lease period.

The Roshan family has also been involved in several property transactions in Mumbai and other parts of the country in recent months.

In January 2026, Rakesh Roshan sold a 1.09-hectare land parcel in Pune district for Rs 15 crore. The transaction was recorded in property registration documents accessed by CRE Matrix.

Also Read: BREAKING: EXCLUSIVE footage of Ramayana to be screened at Big Cine Expo 2026, Chennai; Rakesh Roshan to receive Special Achievement Award

Yesterday, we reported that Anya Singh of The Ba***ds Of Bollywood fame has joined the star cast of Vikram Bhatt’s 1920: Cold Winter. We now bring you another exciting update about the upcoming horror film.

A source told Bollywood Hungama, “Music composer Himesh Reshammiya has signed the film. Vikram Bhatt’s horror films are known not just for jump scares and scary visuals, but also for soulful music. 1920: Cold Winter is no exception. This time, he really wanted the music to stand out and hence, he approached Himesh. Himesh Reshammiya was too happy to join hands with Vikram after a long time and signed on the dotted line.”

1920: Cold Winter marks the fifth film of Vikram Bhatt and Himesh Reshammiya. They previously collaborated on Footpath (2003), Fear (2007), Red: The Dark Side (2007) and Dangerous Ishhq (2012).

Meanwhile, another source told us, “Vikram Bhatt has shot for many of his films in Ooty. But for 1920: Cold Winter, he’ll be filming in Mussoorie. Moreover, the shoot takes place in the winter season at the end of the year, which will be perfect as per the film’s requirement.”

Bollywood Hungama has also learned that the other film for which Himesh Reshammiya has composed is the Sunny Deol-starrer Soorya. As per sources, the film is now called Suryaa - One Man Against The System. It is produced by Kamal Mukut and co-stars Manish Wadhwa, Ravi Kishan and others. It is the remake of the Malayalam film Joseph (2018), and just like the original, the action entertainer is directed by M Padmakumar. In this film, Sunny Deol plays a retired cop who takes on the organ harvesting mafia.

This is the third time that Himesh Reshammiya has composed music for a Sunny Deol starrer. Their previous collaborations were Fool & Final (2007) and Apne (2007); both films released 19 years ago.

The source also revealed, “Himesh Reshammiya’s music label, Himesh Reshammiya Melodies, has bagged the music rights of both 1920: Cold Winter and Suryaa - One Man Against The System. The label will also release songs from other films for which Himesh is composing the music, including the Emraan Hashmi-starrer Gunmaaster G9, the Ayushmann Khurrana-starrer Yeh Prem Mol Liya and Anil Sharma’s Utkarsh Sharma-Arjun Rampal starrer Arjun Naga.”

About 1920: Cold Winter

1920: Cold Winter was announced a few weeks after the release and surprising box office performance of Haunted – Echoes Of The Past (2026). Like the Mimoh Chakraborty-starrer, 1920: Cold Winter is also produced by Anand Pandit. Ahan Shetty has been locked in as the male lead. Interestingly, both Ahan Shetty and Anya Singh also shared screen space in this year’s super-hit war film, Border 2. While Ahan played the role of Lt Cdr Mahendra Singh Rawat, Anya was seen as his wife, Sudha Rawat. Hence, 1920: Cold Winter marks the second film in which Ahan Shetty and Anya Singh will be paired opposite each other.

Also Read: SCOOP: Himesh Reshammiya Melodies on a roll! After Yeh Prem Mol Liya and Gunmaaster G9, label bags music rights of Anil Sharma’s Arjun Naga

Actor Samantha Ruth Prabhu recently celebrated her traditional baby shower ceremony, known as Seemantham, with her husband and director Raj Nidimoru. The intimate ceremony comes as the couple prepare to welcome their first child in December 2026. The actor also opened up about her experience of participating in the ceremony and understanding the meaning behind the rituals.

For the occasion, Samantha opted for a dark yellow and gold ethnic ensemble, which she paired with traditional jewellery and fresh flowers in her hair. Raj was also present as the couple participated in the sacred rituals together.

The intimate gathering was held outdoors, with the space decorated with marigold flowers and traditional oil lamps. Among those present were close friends and members of Samantha’s creative circle, including designer Shilpa Reddy and stylist Neeraja Kona. Samantha Ruth Prabhu explains the significance of the ceremony Sharing pictures from the celebration, Samantha spoke at length about her relationship with Indian traditions and how the ceremony gave her a deeper understanding of their significance.

“I have always had a deep respect for our traditions. I may not understand the meaning behind every ritual, but I have always believed that there is something deeper at work… in the sound of a mantra, the energy created through chanting, and the careful way the ancient practices have been passed down through generations,” she wrote.

She further explained that the priest conducting the ceremony was a Srividya Upaasaka, who took her through the meaning behind each ritual. “As the priest, a Srividya Upaasaka, began explaining each step, I slowly understood how thoughtful and meaningful the ceremony was. Every mantra had a purpose. Every offering had a meaning. Every step had its place,” Samantha added.

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According to the actor, the ceremony included Kalaa Aavarana, also referred to as Sri Kalpam, a specialised ritual associated with the Srividya tradition. She explained that the ritual honours the 94 kalas of Devi through the seven chakras of the mother-to-be, with sacred water and mantras used as part of the ceremony.

Samantha also highlighted the way the ritual places the mother at the centre of the ceremony, describing her as Devi and as the creator through whom new life is taking form. Samantha describes the Sri Chakra Yantram ritual The actor went on to explain another important part of the ceremony involving the Sri Chakra Yantram. Following the abhishekam, the mother-to-be is seated at its sacred centre, known as the bindu. “At its centre is the bindu, a single point symbolising the source of creation and the blessings of Lalita Tripurasundari,” Samantha explained.

She also spoke about the recitation of the Devi Khadgamaala, during which the names of deities and divine energies associated with the nine enclosures of the Sri Chakra are chanted. “The recitation symbolically moves from the outer layers towards the centre, guiding the mind inward and invoking protection and blessings,” she wrote.

Samantha described the experience as deeply personal, adding that she initially knew little about the ceremony but left feeling a stronger connection to the traditions and rituals. “There was something incredibly powerful about sitting there, experiencing all of this while understanding what was being invoked for me and for the baby. I went in knowing almost nothing about the ceremony. I came away feeling deeply blessed and protected,” she said.

The actor concluded her post by expressing gratitude to Shilpa Reddy for giving her the opportunity to experience the ceremony, as well as to everyone involved in creating the sacred space. “Grateful for the wisdom in the ancient traditions that surround us. Grateful for the mother I am becoming, and for the little life entrusted to me.”

Also Read: Samantha Ruth Prabhu reacts to fan suggesting baby name Samraj with Raj Nidimoru: “A tad full of ourselves, don’t you think?”

Actor Sooraj Pancholi has addressed the renewed attention around his name following the Central Bureau of Investigation’s FIR in the death case of celebrity manager Disha Salian. The actor has denied ever meeting Salian or Shiv Sena (UBT) leader Aaditya Thackeray and said he is willing to cooperate with the investigation if required.

The CBI registered an FIR on September 14 in connection with Salian’s June 2020 death after the Bombay High Court directed the agency to investigate the circumstances surrounding the case. The development has once again brought several names associated with allegations and speculation around the case into focus. However, the High Court had directed the CBI to conduct the probe without naming anyone as an accused at that stage.

According to reports citing advocate Nilesh Ojha, who represents Salian’s father Satish Salian, the FIR contains the names of several individuals, including Sooraj Pancholi, Aaditya Thackeray, Rhea Chakraborty and Dino Morea. The reported inclusion of a name in an FIR does not by itself establish guilt or wrongdoing, and the investigation is ongoing. Sooraj Pancholi says he has never met Disha Salian Amid the renewed discussion, Pancholi took to social media late on September 14 to put out a detailed statement about his alleged connection to the case. He said his name has been repeatedly linked to the matter through media reports and statements despite, according to him, there being no connection between him and Salian.

“I have decided to put this out because I feel it is important to put certain facts clearly in the public domain. For the last few years, my name has been dragged into the controversy surrounding the unfortunate demise of late Disha Salian through various media reports and statements. I want to say this out loud and very clear. I have never met late Disha Salian in my life, directly or indirectly. I have also never met Aaditya Thackeray in my life!” he wrote.

Pancholi said he found it unfair that his name continued to be associated with the case and claimed there was no evidence connecting him to the matter. “It is honestly very unfair and extremely upsetting to see my name being dragged into something that I have absolutely nothing to do with, especially when there is no evidence or proof connecting me to this matter,” he added. Actor says he is willing to cooperate with CBI Pancholi also addressed his previous interactions with investigating agencies. According to the actor, he was questioned by the CBI and police several years ago and his statement was recorded during the earlier investigation. “Regarding this matter, I have already been investigated by the CBI/police and my statement was recorded by the agencies almost 4-5 years ago. I have nothing to hide,” he said.

The actor further stated that he would cooperate if the investigating agency requires additional information from him. “If any investigating agency feels that they need to question me again or require any further information from me, I am completely willing to cooperate and make myself available for any investigation,” Pancholi wrote.

The CBI’s latest probe follows the Bombay High Court’s September 2 order directing the agency to investigate Salian’s death. The court had said the investigation should cover all aspects surrounding the circumstances in which she lost her life. Sooraj Pancholi urges people not to treat speculation as fact Pancholi also spoke about the role of media reports and social media discussions in shaping public opinion around the case. He urged people to distinguish between allegations, statements and established facts.

“I strongly support a fair and thorough CBI investigation into the circumstances surrounding the unfortunate demise of late Disha Salian,” he wrote. “At the same time, I also believe that there should be an investigation into the malicious propaganda and false narratives being created around this unfortunate incident because someone’s death should never become a reason to destroy another person’s reputation without evidence.”

He further appealed to people to verify information before forming opinions. “And to everyone who is reading this, please don’t believe everything you see on the News or on social media! A headline is not evidence. A debate is not evidence. Someone saying something on television does not make it a fact. Please verify things before forming an opinion about someone’s life and character,” Pancholi said.

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The actor concluded his statement by reiterating that he has faith in the legal process and the investigating agencies. “I have faith in the law. I have faith in the investigating agencies. And I have faith that ultimately, the truth will come out. Let the fact speak. Let the investigation speak. Let the truth speak. Jai Hind.”

The actor captioned his post, “Please read because I’m sure the media won’t cover this!”

Also Read: Sooraj Pancholi breaks silence on Jiah Khan case; says, “I spent the next 14 years fighting to prove my innocence”

Director Susanne Bier is stepping into the world of Practical Magic 2 with a clear understanding of what makes the franchise special. For Bier, the opportunity was not simply about revisiting a beloved property, but about creating a big-screen experience rooted in relationships, female themes and emotion.

Recalling how she came on board, Bier revealed that the conversation began around Christmas 2024, when she received a call and spoke with stars Sandra Bullock and Nicole Kidman. “I got a call around Christmas of ‘24. I spoke both to Sandy and to Nicole. “We have this project; it can be really fun. Do you want to read?” And I was like, “Sure, I'd love to read. I mean, I'd love to work with both of you again.” And doing a big, cinematic release that is female-driven and is about something that actually is very close to my heart just sounded incredibly tempting. What intrigued me in the first place was actually making a movie with substantial female themes while making something that is fun and sexy and evocative and sad and moving. I don't even need to question that. That's an obvious yes for me.”

The director was also conscious of the legacy of the 1998 original and the passionate following it developed over the years. Rather than attempting to simply recreate what worked nearly three decades ago, Bier wanted to understand how the story could resonate with audiences today.

“For me, the main thing is how do you take a story which became incredibly relevant 28 years ago? Because the first movie had an interesting trajectory. When it came out, it was a mystifying movie. And then it gained a huge following and fan base that was really adamant and really devoted.”

For Bier, the challenge was to bring magic into a contemporary cinematic landscape without allowing it to overshadow the people at the heart of the story. “And so, I think what was tricky was how do you merge? There have been a number of movies dealing with magical entities, and you have a whole generation of young women and men who have grown up seeing movies like Harry Potter. How do you tell a story today which has magic, but still stays true to being about human beings?”

She believes that distinction is central to what makes Practical Magic unique. “I mean, Practical Magic is much more about human relation than it actually is about magic. But magic is a fundamental core of it, and the magic serves the human purpose.”

For Bier, that combination made returning to the franchise an opportunity she could not resist.