After making her mark as an actor, Sheetal Menon has now ventured into filmmaking. Following her directorial debut with the short film Siblings, she is all set to release her deeply intimate and ambitiously cinematic second short, Duet. Backed by acclaimed filmmaker and her husband Bejoy Nambiar, Duet stars Sidhant Gupta as a pianist going through a turbulent phase in his life. Duet also stands out for being the first film to release on Spotify. Meanwhile, earlier this year, Bejoy also had a release, Tu Yaa Main, starring Adarsh Gourav, Shanaya Kapoor and a terrifying crocodile. It was one of the most appreciated films of the year and yet, it didn’t get the box office success that it probably deserved. Moreover, it was a film meant for the big screen and to witness audiences freaking out and screaming in fear in some scenes added to the fun. Despite so many factors, the film missed the tag of a theatrical hit.

Sheetal Menon, who was credited under ‘Special Thanks’ in Tu Yaa Main, opened up about the creature thriller’s box office performance in an exclusive interview with Bollywood Hungama. She said, “You always hope that a film works. You try your best and hope that it has everything required to succeed in theatres.”

She added, “But what exactly does a film need to run successfully in cinemas? You put in your best effort, and the response to Tu Yaa Main was overwhelming. Yet, the film had mixed results at the box office. Of course, it is disappointing at some level. But you cannot sit with that disappointment. You have to get up, move on and try again.”

Sheetal admitted, “However, it wasn’t easy. You also feel helpless at times. How do you convince people to come to theatres and watch a film? We are living in a difficult period when audiences are no longer going to cinemas regularly. It is becoming increasingly difficult.”

Sheetal Menon added, “At the same time, there is still hope. I don’t think an experience like this would make anyone say, ‘I’m never going to do this again.’”

Also Read: EXCLUSIVE: Sheetal Menon praises Sidhant Gupta’s EXTRAORDINARY dedication to her short film Duet: “I asked for 3 days; he gave me 9 months…even learned to play the piano”

With less than three weeks to go for its release, the promotions of Batwara 1947 will be taken to the next level this week, as the trailer of the much-awaited film will finally be unveiled in a few days. In a unique initiative, the launch will be held in two different cities on two consecutive days.

A source told Bollywood Hungama, “On Tuesday, July 28, the trailer of Batwara 1947 will be unveiled in the iconic single-screen cinema, Raj Mandir in Jaipur, Rajasthan. Fans and local media will be invited to catch the trailer and also catch a glimpse of Sunny Deol and Rajkumar Santoshi.”

The source added, “Raj Mandir serves as the perfect venue for such events in Rajasthan. It has hosted several launches previously, so the management has experience handling fans and stars. Moreover, the single-screen is one-of-a-kind in the country in terms of ambience, screen and sound quality, etc. Also, it’s a theatre close to Sunny Deol’s heart. He promoted the re-release of his cult classic, Gadar – Ek Prem Katha (2001), as part of promotions of Gadar 2 (2023) and the response was extraordinary. He then returned to Raj Mandir to promote Jaat (2025) as well. Both films were successful and, in a way, promotional events at Raj Mandir have proved to be a lucky charm for the actor.”

The source then said, “The next day, July 29, a similar event will be held for media and fans in Mumbai.” Batwara 1947 is produced by superstar Aamir Khan, and he’s also expected to be present at both the events.

Besides Sunny Deol, Batwara 1947 also stars Shabana Azmi, Preity Zinta, Ali Fazal and Karan Deol. The film is highly awaited as it reunites Sunny Deol and Rajkumar Santoshi and moreover, it is produced by Aamir Khan.

Batwara 1947 is based on the play, ‘Jis Lahore Nai Dekhya’, by Syed Asghar Wajahat. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.

Also Read: BREAKING: Sunny Deol-starrer Batwara 1947 passed with an ‘A’ certificate by CBFC

The trailer of Bhai Tera Star Hai has caught attention thanks to its quirky content and Raghav Juyal’s promising performance. Interestingly, it’ll release on July 30 and thus clash with Spider-Man: Brand New Day. In an exclusive interview with Bollywood Hungama, producer-director Vivek B Agarwal explained the strategy behind the release.

Vivek B Agarwal said, “Honestly speaking, there’s no strategy. I did my homework. After the July 30 weekend, I don’t know if I’ll get another opportunity to release my film until the end of February 2027. There are either a couple of big Bollywood films, a solo monster film or a combination of Bollywood and pan-India South films. There’s something happening every week or every second week.”

He added, “Moreover, I realized that apart from Dhamaal 4 in July, there was no substantial Hindi release until the middle of August. It was either a choice of clashing with a big Hindi film or releasing alongside Spider-Man. Hence, this was the only viable option. I felt that since there was no Hindi film releasing for nearly a month, I’d rather release my film in the middle of this dry period and attract audiences who might prefer watching a Hindi film over an English one.”

When asked about the screen count, Vivek replied, “PVR Inox Pictures is distributing the film in India. We are targeting 900 to 1000 screens.”

Bhai Tera Star Hai’s promo reminds one of the small-budget-high-concept films that production houses like UTV and Phantom (that Vivek B Agarwal was a part of) regularly churned out in the 2000s and early 2010s. Moreover, such films can surprise with theatrical performance, as proven by Main Vaapas Aaunga, a film which was probably seen as a digital film before it surprised at the box office. Hence, how important was it for Vivek to give Bhai Tera Star Hai a theatrical release instead of going straight to OTT?

Vivek B Agarwal explained, “I kind of agree with you that there has been a change of mindset. At the end of the day, if the film is good, people do come to the theatres. Raghav and I were very keen that Bhai Tera Star Hai should have a theatrical release. We decided to go all out and indulge in a marketing campaign where he’s interacting with people and asking them to watch the film in theatres. Accordingly, he’s been doing city tours continuously and communicating with the potential audience.”

He continued, “Also, at the end of the day, the content has to work. People have to like the trailers and songs and then decide whether or not they want to see it in cinemas. I think we are achieving that balance. People are liking the trailer and humour quotient. It’s rare to have a film of this kind with such humour and ensemble cast.”

He added, “Moreover, I feel that people are tired of sitting at home and watching dark, serious thrillers, which make up nearly 80% of OTT content. Aisa nahin hai ki OTT pe bhasad comedy ban rahi hai. Majorly, sirf dark, serious aur toxic content hi ban raha hai. Hence, if a film offers them something fresh, I feel that they would love to give it a chance.”

Also Read: EXCLUSIVE: “Salman Khan called Raghav Juyal and told him, ‘I saw Bhai Tera Star Hai trailer TWICE and the Kisi Ka Bhai Kisi Ki Jaan joke was FABULOUS’” – Vivek B Agarwal

With just five days to go for the release of Spider-Man: Brand New Day, the excitement is tremendous, to say the least. Advance ticket sales are extremely strong, indicating that the superhero film is set to record one of the biggest opening-day collections ever in India. Given the extraordinary buzz, the studio has decided to position the film in the highest ticket-pricing category.

A trade source told Bollywood Hungama, “The studio has sent an email to exhibitors stating that Spider-Man: Brand New Day is the most anticipated film of the year, and not merely of the season. Hence, ‘keeping with the scale, legacy and premium positioning of this release’, it has decided to implement mega-blockbuster pricing bands for the film.”

The mega-blockbuster pricing category is a relatively recent phenomenon and has previously been implemented for films that generated tremendous pre-release buzz, such as Pushpa 2 – The Rule, War 2 and Dhurandhar The Revenge.

In accordance with this directive, the theatres have started advance booking, and, as expected, the rates are sky-high. Most cinemas are selling tickets for Rs. 300+, and in some, the rates have even reached four digits. For 3D and premium formats, the prices are obviously higher. The source noticed, “In a few cinemas, the rates are at par with Dhurandhar The Revenge, but in most theatres and multiplexes, the rates are lower than the Ranveer Singh-starrer. This is because Dhurandhar sequel’s buzz was historic and one-of-a-kind.”

In Mumbai, G7 multiplex, also popularly known as Gaiety-Galaxy, is one of the few cinemas where one can catch Spider-Man: Brand New Day at reasonable rates. The stall tickets are sold for Rs. 180 and balcony for Rs. 200. The same price slab exists in Maratha Mandir; both these cinemas are managed by Manoj Desai and will screen the film’s 2D version in Hindi. Also, Gaiety-Galaxy and Maratha Mandir are the only cinemas in Mumbai and one of the few ones in the country to sell tickets of the film at less than Rs. 200 (this does not include certain centres in South where the rates are cheap as per the government rules).

Meanwhile, the tickets for the 10:30 am 2D Hindi show at MovieTime Dahisar are available for Rs. 220. As for the English 2D version, Funcity Big Cinema, Ulhasnagar is among the cheapest in the Mumbai Metropolitan Region. One needs to shell out just Rs. 240 to watch the 2:15 pm show on July 30. Next comes the iconic Regal cinema in South Mumbai, where the ticket rates are Rs. 250 for stall and Rs. 300 for balcony.

If you enjoy English films more in the 3D version in Hindi, then Gold Thane, Gold Borivali and Tilak Dombivali is where you should head to in order to enjoy Spider-Man: Brand New Day without burning a hole in your pocket. The 10:00 am shows in these cinemas are priced at Rs. 200.

As for the English 3D version, the rates are slightly higher, but some cinemas have made an exception. Ajanta Cinex Borivali's 10:00 am show tickets are being sold for Rs. 200, the cheapest in this category and format in the region. This is followed by MovieTime Malad, where one needs to pay Rs. 230 to watch the 10:55 am show. The ticket price of the 8:30 am show in MovieTime Star City Matunga is Rs. 240. In BMX Cinemas Koparkhairane, the price is Rs. 250 for the 11:30 am show, while it is Rs. 260 for the 8:30 am show in PVR Odeon Ghatkopar. In Sun City, one can pay Rs. 270 in order to catch the 8:00 am show of the movie.

The source added, “Many cinemas, especially national chains, follow dynamic pricing. Hence, as demand rises, ticket prices will also increase.”

Also Read: Spider-Man: Brand New Day director explains why Sadie Sink’s role is being kept secret as final trailer drops

The makers of the Raghav Juyal-starrer Bhai Tera Star Hai recently released the song ‘Aankhon Se Tune 2.0’, a recreated version of the popular track from Ghulam (1998), starring Aamir Khan and Rani Mukerji. Meanwhile, in the trailer, Raghav’s character can be seen claiming that he would play Bhaijaan’s bhai in an upcoming film. The meta reference alludes to Kisi Ka Bhai Kisi Ki Jaan (2023), which starred Salman Khan and featured Raghav as one of his brothers. In an exclusive interview with Bollywood Hungama, producer-director Vivek B Agarwal spoke about this aspect and much more.

When asked if Bhai Tera Star Hai will have a grand premiere, Vivek B Agarwal replied, “We are working on it and are also planning to invite our industry friends. Making this film was like one big party for us! It was a comedy, and off-screen, everyone was indulging in crazy things. We had rehearsed the film so much ki sabko ek dusre ke dialogues yaad ho gaye the. So, we want to carry this momentum forward and hold a big cast-and-crew screening, which we can call a premiere. It’ll be held a day before the release, and we intend to celebrate the fun we had while making the film.”

Since Salman Khan and Aamir Khan are also connected with the film, would they be invited to the premiere of Bhai Tera Star Hai? Vivek Agarwal smiled and answered, “I would love it if they could come and if they have the time. I do know that Salman bhai called up Raghav and congratulated him on the trailer. He was very happy with the trailer. Raghav met him as well. He told him, ‘I saw your trailer twice and the Kisi Ka Bhai Kisi Ki Jaan joke in the end was fabulous’. So, I am happy that people are enjoying the humour and taking it in their stride. It’s also good to be encouraged by people who have seen it all and done it all.”

Bhai Tera Star Hai releases on July 30. Speaking about his future plans, Vivek B Agarwal said, “There are quite a few films in development. These are ideas that I have been writing and developing for years. It’s just that I had to take the step of producing films myself, and hence, those projects took a backseat. But yes, there are several things in the pipeline, and I hope to get them going in the early part of next year. Also, my wife (Avantika Hari Agrawal) is a National Award-winning writer-director, and she’s working on her next project. We are trying to put the cast together and hopefully get the film on the floors as soon as possible.”

Also Read: EXCLUSIVE: “Bhai Tera Star Hai was shot in LESS than a month,” says Vivek B Agarwal; adds, “It takes a phenomenal actor like Raghav Juyal to make bad acting look so convincing…Sanjay Kapoor wore the wig even when he wasn’t shooting!”

Veteran actor Shabana Azmi has revealed that she has been diagnosed with H1N1 (swine flu), forcing her to miss the student protest held at Mumbai's Shivaji Park on Friday. The actor shared the health update on social media, saying she has been advised to remain in isolation for the next five days.

Azmi has been one of the most prominent public figures supporting the student-led protests over the alleged NEET paper leak. Over the past three days, she actively participated in demonstrations at Delhi's Jantar Mantar, where she marched alongside students, joined the "Chalo Sansad" rally and extended support to those on hunger strike. Shabana Azmi shares health update Informing her followers about her absence from the Mumbai protest, Azmi wrote that she had planned to join demonstrators but was unable to do so after being diagnosed with H1N1. She wrote, “"My dear Mumbaikars, I was meant to join your protest yesterday, but I've come down with H1N1 and need to remain in isolation for the next five days."

Despite her illness, the actor said she remains closely connected with the movement and continues to receive updates from those participating on the ground. Actor praises students' courage Azmi also lauded the determination shown by young protesters, many of whom, she said, were taking part in a demonstration for the first time: "I want to express my solidarity and appreciation. I'm receiving first-hand reports from the young people on the ground. Many of them have taken part in a protest for the first time and have experienced how much their voice counts."

She added that their commitment continues to inspire her: "I continue to be inspired by your courage and commitment and stand by you in solidarity."

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  A post shared by Shabana Azmi (@azmishabana18)

The veteran actor concluded her post by sharing a poem written by her late father, renowned poet Kaifi Azmi.

Azmi has been among the few celebrities who chose to participate in the protests in person instead of limiting their support to social media. During the demonstrations at Jantar Mantar, she marched alongside students, rode atop a protest vehicle with actor Prakash Raj, addressed the gathering and was also seen serving food to students observing a hunger strike.

Also Read: Shabana Azmi suffers asthma attack at Delhi protest; says, “I got an attack because of the tear gas”

Recently, Salman Khan created a storm with his tweet about the happenings in the country. Interestingly, 14 years ago, another tweet by the superstar changed the course of several lives. It was through this tweet that he announced Sajid Nadiadwala’s directorial debut with Kick (2014). This is when he announced that Sajid Nadiadwala will turn director with Kick. The action entertainer was a blockbuster at the box office and one of the biggest box office successes for a debutant director. The film is remembered not just for providing wholesome entertainment but also because the makers released a special coffee table book ‘Kick: A Karizmatic Journey’. Launched a few months after the film’s release, it consists of rare BTS images and fascinating trivia shared by Sajid Nadiadwala and the various HODs. As Kick completed 12 years on July 25, Bollywood Hungama revisited this rare coffee table book to unearth fascinating behind-the-scenes trivia and previously unseen pictures from the blockbuster.

1. Zero VFX, 100% Salman’s swag

Cinematographer Ayananka Bose opened up about the legendary scene involving Salman Khan and the railway train, “The iconic sequence was never a part of the original plan. Mr Khan was supposed to ride across the tracks on the cycle but just before he was to perform the shot, he came with this idea that he would dismount the cycle, push it ahead and just walk across the tracks nonchalantly, without even looking at the train which was a fraction an inch away from him. Sajid sir asked the team to film both the options – first what Salman had suggested and second was the original idea of cycling across the tracks. It sounded impossible to place the camera on the path of an incoming train without the help of VFX for such a sequence. This is when we decided to dig a hole and place it right in the middle of the tracks onto the path of the train. In those failing light conditions, the crew worked frantically, including Sajid sir, who was most worried about the safety of Salman sir. With the failing light conditions, it was a one-shot ‘now or never’ moment.”

He added, “What followed was history. Once the walk across the track was filmed, the original idea was never filmed!”

2. From 27 takes to no retakes:

Sajid Nadiadwala revealed a fascinating anecdote about Randeep Hooda, who had a crucial part in the film, “On the first day of the shoot, we tried doing very different stuff for the role and I was not very satisfied on the monitor. We had about 27 takes until Randeep gave the shot exactly as I was looking for. From that day, we never had any issues and for all subsequent shots, he did not cross the second take.”

3. Apprehensions that were soon put to rest

As for Nawazuddin Siddiqui’s character, Sajid Nadiadwala revealed, “He was the last possible choice on anyone’s mind. Many of my HODs did not agree on his casting, but I was very sure.”

4. The evolution of the mask

Suresh Selvarajan, special prop designer, admitted, “We made nearly 300 different masks before settling for this one, and then we did an 8-month-long research on the material. This was the first time the mask was made using 3D print technology in India…we were clear that it would be a first-time-ever or never-before mask.”

5. How Salman turned singer

Sajid Nadiadwala explained how he convinced Salman Khan to sing ‘Hangover’, “We have been hearing him for the last 20 years in a room. So, this was the best chance for the world to hear him too.”

6. London’s bus in Poland

The double-decker bus chase scene is quite memorable. The veteran filmmaker revealed, “We started from London, then Glasgow, followed by Warsaw. Thank God we got permission to shoot in Warsaw. Otherwise, we would have had to shoot in Bangkok or Hong Kong. We put both buses on trucks to transport them from the UK to Poland as they were not allowed to drive on the highway on their own.”

7. Adorable cameos

Kick marked the debut of Sajid Nadiadwala as a director and one of his sons in front of the camera. He said, “My elder brother, Subhan, has made his lucky charm appearances in most of my productions, from his debut appearance in Mujhse Shaadi Karogi (2004) and thereafter in Heyy Babyy (2007), Housefull (2010) and Housefull 2 (2012). It was only befitting that with Kick, in which his father was making his debut as a director, my younger son, Sufiyan, also made his debut screen appearance with Subhan…their presence added to the sweet taste of Kick’s success, like the ice creams they were enjoying through the filming.”

8. Sajid’s Eureka moment

In one scene, Salman Khan admonishes bystanders for failing to act in the face of injustice. Sajid explained, “There was this particular real-life incident in which a few brave boys had unfortunately lost their lives amidst indifferent onlookers. The incident had disturbed me deeply. A Eureka moment occurred when I was taking a shower in the morning and got an idea to interpret this incident in my own way. I narrated the scene to my wife as I stepped out of the shower and her reaction gave me the positivity that I had hit the right chord.”

9. The girl who left the nation teary-eyed

Diya Chalwad, who played Jhumki, was the soul of the film. Sajid Nadiadwala confessed, “Every time this part of the scene was scheduled to be filmed, I used to look for some excuse to push it back as I was not emotionally prepared to take on this part. Finally, we filmed it towards the end of the schedule, when I matured as a director and was in the right emotional space for it.”

He continued, “A special mention to Diya who could emote and cry effortlessly and made us cry on the set”

10. Salman’s 2011 blockbuster to the rescue

Ayananka Bose also revealed, “I asked (Sajid sir) how he chose me for such a big project, when he could have hired anyone from India or abroad. He answered with such simplicity that while watching the film Bodyguard (2011; also starring Salman Khan), which was shot by multiple DOPs, he came across the song ‘Teri Meri’ that was shot by me. He liked it and decided on that basis. He said his most memorable visual from the sets of the film was “the ever-smiling face of Mr Sajid, be it rain or shine, a quality rare and to be learnt”.

11. How the writer’s block was overcome

Rajat Aroraa, one of the much-loved writers of the film, remarked, “The breakup scene was one of the hardest to crack. Time was running out…I had only the beginning of the scene sorted. Things were a little tense. Sajid sir walked up to me and told me, ‘Don’t worry, Rajat. It’ll work out. Like in life, har cheez mein problem second half mein hi aati hai.  And that’s it. That’s how I got the line, ‘Main tumhare saath boodha hona chahta hoon, tumhari wajah se nahin’!”

12. Sajid’s uncompromised vision

Production designer Rajnish Hedao of Acropolis stated, “Sajid Nadiadwala’s philosophy was that if you were going to show a close-up, make it closer than any close-up has ever been. And if you are going to take a long shot, make it a larger long shot than anyone else has ever done.”

13. Action directors floored by Sajid

The action directors of Kick have spoken highly of the director-producer. ANL Arasu said, “I found the greatest producer in the film industry, Mr Sajid Nadiadwala…he is a great captain. I can proudly say that my grandfather is Sajid Nadiadwala. May God bless him.” Stefan Richter, international action director, stated, “I was given the biggest chance in my career. I will never forget the time with you guys.”

14. The hard work behind the animation sequence

Kick’s animated sequence was lovely and set the mood. Viral Thakkar, VFX Supervisor, Pixion, opened up on what lengths they had to go, “We used various references of Salman sir’s childhood and teen pictures from the internet and carefully designed the characters. The idea was not to make it look too caricature-type. We had a task in front of us with the image he carries globally. The audience loves him. We had to make him look very appealing and lovable.”

He continued, “We went through various visual references from Salman sir’s previous films on the way he performs his comic scenes. He has his own style and the task we had in hand, as far as animation was concerned, was to capture his nuances. At one point, we had to make our animators perform like him in our office just to make sure they got the animation right.”

15. The untold story behind the car

The vehicle driven by Salman Khan at the beginning of the film was a cross between a car and a motorcycle. Deepak More, DC Motors, admitted, “Despite an intensive attempt to source a pristine VW Beetle, we couldn’t find one decent one in the whole country. Hence, we were forced to follow a process that is only done when prototyping elaborate programmes for auto manufacturers. We had to build a 3D data of the VW Beetle…”