In recent times, several Hindi films, including Dhurandhar, Border 2, Fighter, Sky Force, Article 370, Tiger 3, etc, have reportedly been denied a release in certain Middle Eastern markets. However, the upcoming Ayushmann Khurrana-Sara Ali Khan starrer Udta Teer has now faced a roadblock closer to home, in the neighbouring country of Nepal.

Bollywood Hungama has learned that Udta Teer has not been granted permission for public screening in Nepal. Bollywood Hungama is in possession of a copy of the official order, which was communicated to the makers by Bishal Bhandari, Section Officer, Ministry of Communication and Information Technology, Government of Nepal.

The letter further stated that permission was denied as the film falls under the subject matter prohibited by Section 5(3) of the Film (Production, Exhibition and Distribution) Act, 2026 B.S.

The letter was issued on Ashwin 30, 2083, as per Nepal's Bikram Sambat calendar, which corresponds to Friday, October 16, 2026, in the Gregorian calendar.

Udta Teer stars Ayushmann Khurrana, Sara Ali Khan, the late Mukul Dev and several others. Written and directed by Akash A Kaushik, the film is produced by Karan Johar, Adar Poonawalla and Apoorva Mehta's Dharma Productions, along with Guneet Monga Kapoor and Achin Jain's Sikhya Entertainment.

The film tells the story of a Pakistani spy who infiltrates India but ends up losing his memory. In an unexpected turn of events, he begins believing that he is a hardcore Indian patriot, leading to chaos and madness.

Also Read: Ayushmann Khurrana promises unexpected twists and laughter in Udta Teer; says, “Just when you think you know where it’s going, it takes another turn”

Mumbai witnessed a shooting incident in suburban Juhu on Sunday evening, October 18, after unidentified assailants allegedly opened fire at Tiger Shroff’s car. Following the incident, Maharashtra Deputy Chief Minister Eknath Shinde visited the actor’s residence late at night to check on his well-being and review the situation. The visit came as the Mumbai Police and Crime Branch began investigating the attack and searching for those responsible.

Visuals shared by news agency ANI and circulated on social media showed Eknath Shinde meeting Shroff at his residence. In the footage, the actor appeared with dressings right below the neck, on his arm, and a crepe bandage too around his arm. Shinde has not yet addressed the media about the incident. According to the information available, the state government has indicated that the matter is being treated seriously, while the police continue efforts to identify and apprehend the assailants.

#WATCH | Mumbai | Visuals from inside the residence of Tiger Shroff as Maharashtra Dy CM Eknath Shinde arrived to visit him following an incident of firing at his car, injuring his driver The actor is safe and has not sustained any gunshot injuries, as per Mumbai Police

(Visuals source: Shivsena PR)

— ANI (@ANI) October 18, 2026

According to preliminary reports, the incident took place at around 7 pm on Sunday near Pushpa Park in Juhu, when Shroff was returning from a football session. The assailants reportedly arrived on a motorcycle and fired multiple rounds at the actor’s BMW. Shroff is said to have escaped without sustaining any bullet injuries, although the vehicle was hit during the firing.

The Mumbai Police and the Crime Branch subsequently cordoned off the area where the firing took place. Investigators reportedly recovered empty bullet shells from the scene, while forensic teams were mobilised to examine the evidence. The investigation is also focusing on CCTV footage from the surrounding area to establish the sequence of events and identify those involved. Reports indicate that the police are examining available evidence and pursuing leads as the search continues across the city.

Shortly after the incident, a message circulating on social media allegedly claimed responsibility in the name of the Lawrence Bishnoi syndicate. However, the claim remains unverified. Senior police officials have reportedly indicated that all angles are being examined as part of the ongoing investigation, and no conclusion has been established regarding the identity or motive of the assailants.

The incident has prompted heightened attention to the investigation, with authorities working to establish the circumstances surrounding the firing and trace those involved. Further details are expected as the police continue their probe into the shooting near Pushpa Park in Juhu.

Also Read: Tiger Shroff safe after firing incident reported under Juhu Police Station

Amit Trivedi had a conversation with Komal Nahta in which he revealed that he had no plans of composing songs for films. However, he made independent music with singer Shilpa Rao; the latter made Anurag Kashyap heard those songs and that’s how Anurag got interested to meet Amit Trivedi. This was a time when the acclaimed filmmaker was working on Dev D (2009), starring Abhay Deol.

Amit Trivedi said, “Anurag sir told me that he was doing a modern-day Devdas and that it had a requirement of some 12-15 songs. He shared some ideas and references. All this was very new for me. I went home and started working immediately. I took 6 months to compose 6 songs as my advertising work was also going on. 6 months later, Shilpa asked me for an update. I told her, ‘Are you sure you want to do this? Sir must have forgotten our meeting’. But she insisted that we had to meet him again.”

He continued, “Earlier, we met in Anurag sir’s office. This time, the meeting took place in my studio. Anurag sir came along with Vikas Bahl. Trust me, main kaanp raha tha. I was 26-27 years old. I had not seen Devdas. So, I saw both Dilip Kumar’s Devdas (1955) as well as Shah Rukh Khan’s Devdas (2002). That gave me an idea about the plot. Then, I composed as per what I understood. I feared ki main gaali khaunga and that this would be the first and last song of my career! However, they were so impressed and they liked all the songs.”

Amit added, “The next day, they called me for narration. I didn’t know what that meant (laughs). I heard the story after which I composed two more songs – ‘Saali Khushi’ and ‘Pardesi’. After listening to the tracks, Anurag sir tweaked a bit of the script and reimagined the film. I was like, ‘Wow. Aisa bhi hota hain’!”

He also stated, “Then, something happened. I don’t know exactly, but producer Ronnie Screwvala sir was not keen on making Dev D. So, the film went on hold. Anurag sir met me and said, ‘You have worked enough on Dev D. Tu abhi ruk jaa. Thoda hold pe hain. Meanwhile, I am producing a film called Aamir (2008). Raj Kumar Gupta is directing it. You work on this film while I figure out a way forward for Dev D’.”

Aamir, starring Rajeev Khandelwal, released first and hence marked Amit Trivedi’s debut as a film composer, even though Dev D was the first film he had worked on. Dev D eventually released eight months later.

Also Read: Abhay Deol recalls “creative flow” with Anurag Kashyap in BTS anecdote as Dev D set to re-release on April 24, 2026

Filmmaker SS Rajamouli has extended his wishes to the team of Ramayana Part 1 ahead of the film's worldwide theatrical release on November 5. The filmmaker praised director Nitesh Tiwari and producer Namit Malhotra for bringing the epic to the screen on a large scale.

Rajamouli shared his thoughts on X, describing Ramayana as a story that Indian storytellers have long aspired to bring to the screen. He wrote, "It's a joy to see @niteshtiwari22 and @malhotra_namit bring it to the screen on such a grand scale. Each actor brings these timeless characters to life with depth."

Directed by Nitesh Tiwari and co-written by Shridhar Raghavan, Ramayana Part 1 stars Ranbir Kapoor as Prince Rama, Sai Pallavi as Sita and Yash as Ravana. The film also features Sunny Deol, Ravie Dubey, Anupam Kher, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Kunal Kapoor, Adinath Kothare, Arun Govil, Indira Krishnan and Lara Dutta in key roles.

#Ramayana is a story every Indian storyteller grows up aspiring to tell. It's a joy to see @niteshtiwari22 and @malhotra_namit bring it to the screen on such a grand scale. Each actor brings these timeless characters to life with depth. Looking forward to 5th November. Best wishes to the entire team. https://t.co/zRAQ54SfJm

— rajamouli ss (@ssrajamouli) October 17, 2026

Ramayana Part 1 brings together a large ensemble The film's cast includes actors from different parts of Indian cinema, with Yash making his Hindi film debut as Ravana. The project brings together several performers for a new cinematic adaptation of the epic.

The music for the film has been composed by Oscar-winning composers Hans Zimmer and AR Rahman. The makers are also planning a worldwide theatrical release, including IMAX screenings.

Ramayana Part 1, also referred to as Ramayana: Rise of a Legend, is scheduled to release in cinemas worldwide on November 5.

Also Read: Yash calls himself “Radhikapati” at Ramayana international trailer launch in Bengaluru, credits wife Radhika Pandit for her support

For many viewers, Addinath M Kothare has emerged as one of the biggest surprises in Nayyi Navelli. An unexpected twist in the story has made his character and performance stand out. In an exclusive interview with Bollywood Hungama, Addinath M Kothare spoke about the response to his role, the challenges of working on the film, his experience with Yami Gautam Dhar and a lot more.

How has the response to your character in Nayyi Navelli been? It's been amazing so far. I am quite overwhelmed with the response that I am getting for my character. It's a festive family entertainer, which has been aptly released during the festive season. Hence, it's lovely to be in this space right now.

The film has a Dussehra connection. Is that why the makers decided to release it during this festive period? Absolutely. This is also why they fast-tracked the entire shoot. It was a very difficult film to make due to the VFX, fantasy elements, ensemble cast, songs, etc. Yet, it was a very well-planned and efficiently executed project. We started shooting in April, and here we are. So, it's amazing!

It's a passionately made film. The kind of detailing that has gone into it and the efforts taken by the team deserve special mention. Ravi Srivastava, who has worked on films like Slumdog Millionaire (2008) and Lion (2016), handled the production design of our film. Rishi Punjabi's cinematography is phenomenal. The whole team worked really hard. As for Aanand L Rai sir and Himanshu Sharma, they are master storytellers, as we all know (smiles).

Horror-comedy has become quite popular now, but you and your family have been pioneers in this genre. Your father, Mahesh Kothare, made the cult film Zapatlela (1993), followed by Pachhadlela (2004), on which you worked as an assistant director. You also acted in Zapatlela 2 (2013). What are your thoughts on returning to this genre?

(Laughs) Quite honestly, you can't plan or even predict these things. I feel blessed that I got a film in this genre. I am also fortunate that two of my films are releasing quite close to each other. While Nayyi Navelli is a fantasy centred around mythology, Ramayana is a historical.

How was your experience of working with Yami Gautam Dhar? It was amazing. Despite being such a big star, she is very grounded and easy to talk to. She was also extremely helpful.

When you begin working on a film, you are still searching for your character, his body language, etc. Moreover, the film is set in Meerut, and I had to work a lot on the dialect, as I was the only non-North Indian actor on the set! Thankfully, I was somewhat familiar with the accent because of the films we watch. So, it wasn't completely alien to me. Also, in Mumbai, you get to hear the UP accent quite often.

Nevertheless, I had to work a lot on the dialect and other aspects of the character. On my first or second day of the shoot, Yami, Balaji Mohan sir and I were having a conversation. Yami cracked a joke, and I laughed. As I laughed, she stared at me for a moment and said, "Adi, this is Raja!" At that point, I was still trying to find the character. I knew I was close, but her observation helped push me in the right direction.

You had to wear extensive prosthetics, and a lot of VFX was also used for your scenes. How challenging was the experience? That was the biggest challenge of the film. I was covered in prosthetics from head to toe. There were prosthetic patches on my face, including my forehead and the veins on my face and neck. From my neck to my toes, I was wearing a complete silicone prosthetic bodysuit. There were days when I had to wear it for 12 hours!

It used to take me four hours to get ready and another one-and-a-half hour to remove the prosthetics. Moreover, we were shooting in May! But the production and direction teams took great care of me. On the sets, we had these anaconda ACs. They consisted of an AC unit with huge tubes that would crawl all over the set, just like anaconda snakes. There were five such ACs in total. Whenever I wore the suit, two of those five anacondas were reserved exclusively for me (laughs)!

I remember that on the first and second days, I became so itchy that I simply couldn't bear it. Thankfully, the direction team asked me to take a break. I got out of the suit, and we began figuring out how to get rid of the itchiness and make it possible for me to wear the suit for longer durations. Slowly, through trial and error, we found a solution. Before putting on the suit, I would cover myself with Abzorb Dusting Powder. There would be a thick layer of powder, almost 2 cm, all over my body! On top of that, I would wear a sweatsuit, like the ones swimmers wear, and then the prosthetics. That made things easier, though it took us two days to figure it out.

Yet, there were challenges. One day, I was wearing the prosthetics and rehearsing with Yami. Suddenly, I noticed that the floor had become wet. I wondered, ‘Yeh paani kahan se aa raha hai?’ Then I realized that my sweat was dripping through the silicone prosthetics! Andar se mera body melt ho raha tha!

How many days did you have to shoot wearing the prosthetics? We shot for around 50 days, out of which I wore the prosthetics for 20 days. I had to perform and get the emotions right while wearing that suit. Hence, it was a physically and mentally challenging process. But the production team was well-equipped to ensure that the actors were comfortable despite these challenges. That's the only reason I could pull it off.

Also Read: Jacqueline Fernandez has a hilarious cameo in Yami Gautam Dhar’s Nayyi Navelli

Amit Trivedi had a conversation with Komal Nahta in which he revealed that he had a dream run as a music composer in the initial phase of his career. However, he got a reality check while working on Ek Main Aur Ekk Tu (2012), starring Imran Khan and Kareena Kapoor Khan.

Amit Trivedi said, “For Dev D, I made 18 songs and all of them got selected. The same happened with Aamir. There was a requirement of 5 songs. I only composed 5 songs and they all got selected. This was repeated with Udaan (2010) as well. I began to assume, ‘Wow. Aise hi hota hoga. This industry is amazing’ (laughs). Then, I got a shock of my life when Karan Johar came into my life. That’s also when mainstream Bollywood came into my life.”

He explained, “I signed Shakun Batra’s film, Ek Main Aur Ekk Tu, which was produced by Karan Johar. While working on the film, I asked myself, ‘Yeh kya ho raha hai?’. It was completely contrary to my previous experiences. Until then, I had worked in 5-6 films, including a song in Karan Johar’s Wake Up Sid (2009), that is, ‘Iktara’. Woh gaana bhi one shot tha. Everything was smooth. But during Ek Main Aur Ekk Tu, mere nakshatra badal gaye! Every song got bounced. If Shakun would like it, Karan sir won’t like it, and vice versa. Aur mujhe kuch samaj mein nahin aa raha tha!”

Amit Trivedi revealed, “At that time, I felt very vulnerable and sad. I even cried. I had self-doubt. I asked myself, ‘Am I not good enough? Don’t I know how to make good music? But then how did I manage to work on so many films? Also, many of those songs were hits as well. So, I am not the problem. The problem is somewhere. But Karan sir is also vastly experienced’.”

Also Read: Kiran Rao and Saba Azad react to Imran Khan facing legal trouble over Mumbai protest; come in support of the actor

Late actor Nana Patekar’s son, Malhar Patekar, has addressed the allegations made against his father by actor Tanushree Dutta, while also dismissing reports about his parents’ relationship and family dynamics. In an interview with Hindustan Times, Malhar said the legal case related to the allegations had already concluded and questioned why the matter kept being discussed. Without naming Tanushree, he said he had nothing further to add.

“Without naming anyone, I want to say that the case people are bringing up unnecessarily is already over. Judiciary se clear hua hain, case khatam ho chuka; phir bhi bol rahe [the case is over; they still keep talking],” he said.

Malhar added, “Aise logo ko mein unko kuch nahi bolunga; joh sach hai wahi rahega, bhagwan unka bhala kare [I have nothing to say to such people. The truth will remain the truth. May God bless them], this is what I have to say to them.” What Tanushree Dutta had alleged against Nana Patekar In 2018, Tanushree Dutta accused Nana Patekar and others of sexual harassment on the sets of Horn OK Pleasss. She had alleged that an incident took place during the filming of the movie and subsequently quit the project.

The allegations resurfaced during India’s #MeToo movement, with Tanushree reiterating her claims against Nana, choreographer Ganesh Acharya and the film’s producer.

Following Nana Patekar’s death on October 8 in Goa, Tanushree shared a video on her Instagram Stories in which she referred to the late actor as an “evil dead”. She later spoke to the media about the allegations and said that she would not forget what she claimed had happened on the sets of the film.

Nana Patekar died of a heart attack in Goa after reportedly experiencing chest pain early in the morning. He was later cremated with full state honours at his farmhouse in Pune in the presence of family, friends and members of the film fraternity.

Also Read: Nana Patekar’s autopsy CONFIRMS heart attack caused by blood clot in left main coronary artery: Report