Kartik Aaryan has begun shooting for Shimit Amin’s Captain India in London. The actor recently shared a glimpse of his journey on social media, giving fans an update on the upcoming film.

Kartik posted a travel picture in which he was seen holding the shooting draft of Captain India. The cover also features the name of director Shimit Amin. Alongside the picture, the actor wrote, “VABB to EGLL ✈️ #CaptainIndia 🇮🇳”, seemingly referring to his journey from Mumbai to London as he starts work on the film.

The post also offered a glimpse of Kartik’s injured foot. The actor had recently undergone knee surgery after sustaining an injury while performing an action sequence for his upcoming sports drama with director Kabir Khan. He was subsequently advised to take time to recover.

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With Captain India, Kartik will be seen playing a pilot in a story inspired by a historic evacuation mission. The film marks his collaboration with Shimit Amin, known for films such as Chak De! India and Rocket Singh: Salesman of the Year.

Captain India is being produced by T-Series, Baweja Studios and Dopamine Studios. The film is scheduled to release in theatres on August 13, 2027.

Also Read: Captain India: Bhushan Kumar film starring Kartik Aaryan to go on floors in London on September 1

Making Operation Safed Sagar was not simply a matter of recreating the 1999 Kargil War on a large scale. For director Oni Sen, the challenge was to make the audience believe what they are watching might have actually happened. And that meant pushing the production far beyond conventional filmmaking.

So how did they achieve it? By simply keeping it real, says Sen. “We wanted the audience to feel the grit, the danger, and the raw physics of combat. Every visual choice had to be rooted in ground truth,” the director says to Bollywood Hungama. “So, when it came to conceptualizing and executing our sequence architecture, whether complex aerial action scenes or high-stakes ground engagements, my discussion with our cinematographer, Setu (Satyajit Pande) and the entire VFX team was simple: 'Let's keep it real.’”

That philosophy shaped everything from the way aircraft were filmed to the texture of a cockpit and even the movement of sunlight at 30,000 feet. “Setu and our visual effects team executed it with extraordinary craft. They seamlessly blended practical footage with visual effects, creating a unified visual language where, while we stayed 'real,' we managed to make our viewers 'feel,'" Sen adds.

The ‘make it real’ rule was approached even to bring the aerial action to the screen, which is inherently difficult to dramatize because much of it happens at enormous distances and incredible speeds. Every ground scene involving jets, including actual taxiing, takeoffs, and landings, featured real aircraft on real airfields. For the high-octane flying sequences, the makers developed exhaustive animated previsualisation scenes that were reviewed and approved by aviation experts.

“To capture the raw physical intensity inside the cockpit, our production design team built a photorealistic MiG-21 cockpit,” reveals the director. “We mounted this cockpit onto a high-grade motion base, custom-programmed to mimic the exact motion of the aircraft based on our previous sequences. We synchronized this with programmable lighting rigs that dynamically simulated shifting sunlight as the jet maneuvered through the sky.”

Actors also underwent rigorous training under the guidance of active fighter pilots. They learned the physical strain of flying, breathing techniques, and operational controls to make their performance convincing. Preparing the cast was an extensive journey in itself. Several of them had the profound privilege of meeting directly with the actual individuals or their families, while for characters based on political figures or Pakistani leadership, where direct access wasn't possible, the makers established an exhaustive archive of archival video footage, news broadcasts, and historical records.

“Historical research was only the foundation. I worked closely with each actor to map out their character’s emotional graph across the entire series, carefully calibrating their psychological trajectory from scene to scene,” adds the filmmaker.

Operation Safed Sagar was an exceptionally ambitious production from its inception. Long before Oni Sen came on board as a director, its showrunner Abhijeet Singh Parmar and his dedicated research and writing team had spent a few years laying a rock-solid foundation. They didn't just study the details of the IAF’s role in the Kargil war; they absorbed the lived reality of IAF pilots — their interpersonal dynamics, their subtle behavioural traits, their daily routines, and the intricate science of combat flying. Every page of the script was meticulously examined by Air Force consultants, including decorated veterans who had personally flown missions during the actual operation.

Every single day on set meant coordinating with actual fighter jets, transport aircrafts, attack helicopters, ordnance, and complex radar systems. To ensure absolute precision, the makers worked hand-in-hand with IAF technical experts and consultants who guided every move on the tarmac.

“From day one, our team carried a deep sense of responsibility to respect the history we were bringing to life. We were exceptionally fortunate that the Indian Air Force placed their trust in us, graciously opening their doors and granting us unprecedented permission to film within real and active Air Force installations,” Sen signs off.

Created by Abhijit Singh Parmar and Kushal Srivastava, and starring Siddharth, Jimmy Shergill, Abhay Varma, Dia Mirza, Mihir Ahuja, Adil Hussain and Prajakta Koli, Operation Safed Sagar is streaming on Netflix India.

Also Read: The Making of Operation Safed Sagar: How director Oni Sen turned a war epic into an intimate human story

A new star kid is ready to enter the Bollywood fold. Arbaaz Khan and Malaika Arora’s son Arhaan Khan is set to make his big-screen debut with an action love story, and Bollywood Hungama has exclusively learned that Salman Khan also features in a cameo role in this film.

Details of the plot are kept closely guarded, but sources reveal that Salman will play a small but crucial role in the narrative, supporting his nephew’s first film to get more visibility with his star power. Salman is expected to shoot for 10 days for his extended cameo appearance.

The yet-untitled film will be directed by Anirudh Iyer, who previously helmed Ayushmann Khurrana and Jaideep Ahlawat-starrer An Action Hero (2022). Ashwin Varde, whose previous producing credits include Kabir Singh, OMG 2, Khel Khel Mein and The Diplomat, will produce this project.

Arhaan has been preparing for his film debut for several years now. He studied filmmaking in the United States and later worked with Vikram Phadnis and also assisted Karan Johar on Rocky Aur Rani Kii Prem Kahani. He currently hosts a podcast on his YouTube channel, Dumb Biryani. “Arhaan has been preparing himself for cinema for a while. When Ashwin Varde approached Arbaaz with this project to launch Arhaan on the big screen, it felt like the right film at the right time. Arhaan is happy to have found the kind of debut he was looking for and is excited to face the camera as a leading man,” a source close to the development told us.

The makers are currently casting for the female lead and are said to be looking for a fresh face to complement Arhaan and bring a sense of freshness to the young romantic drama. Shooting is being planned for early next year, though the exact shooting timelines will be locked only after the remaining logistical details are sorted.

The project will mark Anirudh Iyer’s second directorial project following An Action Hero. Although he was also supposed to helm Lakshya and Rasha Thadani in an action romance last year, the film was shelved for reasons unknown. He has since been developing multiple projects and is finally set to return to the director’s chair with this new-age love story. As for Ashwin Varde, his next production is an untitled Johnny Lever film directed by Farhad Samji.

Also Read: Before Karna with Salman Khan, Rakeysh Omprakash Mehra to direct Vikrant Massey in a Love Story

Priyanka Chopra Jonas is set to take on a presenter role at this year’s LVMH Prize ceremony in Paris. The actor will present the Karl Lagerfeld Prize at the event, joining Hollywood actor Jennifer Lawrence and Thai actor Urassaya ‘Yaya’ Sperbund in the presenter line-up.

The ceremony will take place at the Fondation Louis Vuitton and will recognise emerging talent in the fashion industry. Nine designers have been shortlisted for three prizes at this year’s event. Priyanka Chopra Jonas to present Karl Lagerfeld Prize Priyanka will present the Karl Lagerfeld Prize, which includes a €200,000 grant along with a year of mentorship. The programme covers areas including sustainability, communication, marketing, manufacturing and financial management.

Jennifer Lawrence will present the €400,000 Grand Prize, while Yaya Sperbund will present the Savoir Faire Prize.

Priyanka's role at the ceremony comes as she continues her association with the international fashion and luxury industry. The actor has represented Dior as an ambassador and has regularly appeared at major fashion events in Paris and other global fashion capitals.

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Nine designers compete for LVMH Prize honours The finalists for this year's LVMH Prize include Julie Kegels, Petra Fagerström, De Pino, Ponte, The Vxlley, Institution, Lii, Colleen Allen and Yoshita 1967.

The winners will be selected by a jury comprising prominent figures from the international fashion industry. The jury includes Celine’s Michael Rider, Loewe’s Jack McCollough and Lazaro Hernandez, Pucci’s Camille Miceli, and Pietro Beccari, chairman and CEO of Louis Vuitton and LVMH Fashion Group.

With Priyanka, Jennifer and Yaya presenting the three awards, the ceremony will bring together established names from entertainment and fashion while putting the focus on the next generation of designers.

Also Read: Priyanka Chopra Jonas sends Rakhi from LA to Parineeti Chopra for the latter’s son Neer on behalf of daughter Malti

Jeevan Ya Bheema Con, featuring Arshad Warsi in a double role, releases in cinemas today, that is, September 4. Interestingly, the film was earlier titled Jeevan Bheema Yojana. The name was changed just three days before the film was released. It has now come to light that the film had to undergo a title change due to a directive from the Central Board of Film Certification (CBFC).

The CBFC passed Jeevan Ya Bheema Con with a U/A 16+ certificate. However, the film had to undergo certain changes. To begin with, 'inappropriate' references were suitably modified in four places. An 'obscene' hand gesture and visual were asked to be replaced in two places. One more 'obscene' visual was asked to be suitably modified in the second half. Similarly, an 'obscene dialogue' was suitably modified, again in the film's post-interval portion.

Lastly, the CBFC's Examining Committee instructed the makers to replace the film's title from Jeevan Bheema Yojana to Jeevan Ya Bheema Con.

According to trade sources and an article in News9Live, the makers were asked to alter the title to eliminate its phonetic similarity to the government-backed life insurance scheme, Pradhan Mantri Jeevan Jyoti Bima Yojana.

Once the changes were made, the CBFC passed Jeevan Ya Bheema Con on September 1. The length of the film, as mentioned on the censor certificate, is 119.56 minutes. In other words, the quirky comic caper is 1 hours, 59 minutes and 56 minutes long. Besides Arshad Warsi, Jeevan Ya Bheema Con stars Sanjeeda Shaikh, Vijay Raaz, Brijendra Kala, Pooja Chopra, Madhu Anand Chandhock, Atul Parchure, Jaywant Wadkar and Dimple Srivastava. It is directed by Abhishek Dogra of Dolly Ki Doli (2015) fame.

Also Read: Arshad Warsi’s Jeevan Bheema Yojana gets a twist as its official title is revealed as Jeevan Ya Bheema Con?

Actor and filmmaker Sayani Gupta has filed a Rs 9 crores defamation suit before the Mumbai City Civil Court against filmmaker Vinita Negi over allegations surrounding her directorial debut, the short fiction film Aasmani. The case, titled Sayani Gupta v. Vinita Negi & Ors., has also named Meta, Reddit and Deccan Chronicle Holdings Limited as defendants.

An application seeking an urgent hearing and interim relief was likely to be listed before additional sessions judge Shudhirkumar Murlidharrao Bukke on September 3.

The dispute began after Negi, an alumna of the Film and Television Institute of India (FTII), accused Gupta of copyright infringement and breach of trust. Negi had alleged that Aasmani drew substantially from her unfinished documentary Prabha, with both projects featuring an elderly woman and a vintage car.

Gupta has now denied the allegations and claimed in her suit that they were false, misleading, unsubstantiated and defamatory. Her plea argued that copyright law protects original expression rather than broad or abstract ideas.

“The mere presence of an elderly woman, a car, a driver or any other generic element in a creative work does not confer upon Negi a monopoly over such ideas or concepts,” the suit stated.

According to Gupta’s plea, Negi approached the Screenwriters Association (SWA) with a complaint in April 2026. While the proceedings were pending, Negi allegedly circulated a “Statement of Support” on WhatsApp and social media seeking backing from members of the film fraternity. The suit claimed that the campaign received more than 250 signatures.

Gupta further alleged that the controversy resulted in professional damage, including the withdrawal of Aasmani from the Indian Film Festival of New Zealand (TIFFNZ).

She has sought Rs 9 crores in damages, along with directions to Meta, Reddit and Deccan Chronicle to remove allegedly defamatory content. She has also sought an unconditional apology and public retraction from Negi.

Also Read : Sayani Gupta’s directorial debut Aasmani pulled from Indian Film Festival of New Zealand amid copyright dispute

The Hindi film industry is known for its interconnected film families, with several prominent surnames sharing both professional and personal ties. From the Kapoors and Bachchans to the Salim Khan, Allu, Konidela, Akkineni and Daggubati families, relationships between members of different film clans have often brought them closer. A similar connection between Amitabh Bachchan and Saif Ali Khan came to light during a recent episode of Kaun Banega Crorepati (KBC).

Saif Ali Khan and Akshay Kumar appeared together on the popular quiz show to promote their upcoming crime thriller Haiwaan, directed by Priyadarshan. During the episode, host Amitabh Bachchan revealed a family connection between himself and Saif, leaving both actors surprised.

Amitabh Bachchan explains his connection with Saif Ali Khan

While speaking to Saif, Amitabh Bachchan said, “Many people don’t know this, but he is related to me.” Saif appeared surprised and responded, “Me?” Akshay Kumar was also taken aback by the revelation.

Explaining the connection, Amitabh said, “Raj Kapoor’s daughter Ritu Kapoor’s son, Nikhil Nanda, is married to my daughter, Shweta Bachchan.”

The connection stems from Saif’s marriage to Kareena Kapoor Khan. Kareena is the daughter of Randhir Kapoor and Babita, and Randhir is Raj Kapoor’s son. This makes Kareena and Nikhil Nanda first cousins, linking Saif’s family with the Kapoor family through marriage and, consequently, creating a connection with the Bachchan family.

Amitabh then added a humorous question, saying, “So, now I want to know, how should I address Kareena? What will Kareena call me?” Saif responded with a witty remark: “Thank god that’s not a question (on KBC screen),” leaving Amitabh and Akshay laughing.

Amitabh and Kareena have previously worked together in films including Kabhi Khushi Kabhie Gham (2001), Dev (2004) and Satyagraha (2013). He has also shared the screen with Saif in Eklavya: The Royal Guard (2007) and Aarakshan (2011).

About Haiwaan

Directed by Priyadarshan, Haiwaan also stars Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Rajpal Yadav, Sharib Hashmi, Rajesh Sharma, Pahal Chaudhary and Manoj Joshi in key roles. The film is a remake of Priyadarshan’s 2016 Malayalam film Oppam, which starred Mohanlal in the lead role.

The upcoming crime thriller features music by Pritam, cinematography by Divakar Mani, production design by Sabu Cyril and editing by Aiyappan Nair MS. Haiwaan is scheduled to release worldwide on Friday, September 11.

Also Read : Adnan Sami shares WILD Amitabh Bachchan studio story: “We got bedsheets, kept the speakers on and recorded him live…this was NEVER done before”