The third generation of the illustrious Khanna family is all set to enter the movie industry. Yesteryears’ superstar Rajesh Khanna and Dimple Kapadia’s granddaughter Naomika Saran will make her screen debut in film being produced by Dinesh Vijan of Maddock Films.

Naomika is the daughter of Rajesh and Dimple’s younger daughter Rinke Khanna who was once an aspiring actress in Filmistan. Rinke did films like Pyar Mein Kabhi Kabhi and Jis Desh Ganga Mein Rehta Hai. When she was removed by Ram Gopal Varma from his film Company and replaced by Manisha Koirala, Rinke quite the film industry, got married and migrated to the West.

Now, her daughter is all set to rekindle the Khanna magic on screen. Naomika’s co-star in her debut film is the talented Vedang Raina, Alia Bhatt’s co-star in Jigra, currently shooting for a film with Imtiaz Ali in Punjab.

Also Read: Naomika Saran, Rajesh Khanna’s granddaughter, to debut in romantic comedy opposite Vedang Raina: Report

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Diwali is usually associated with big films and big numbers at the box office. But this time, limited hype seems to have been generated by the Diwali releases of 2025, namely the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat. Several exhibitors and theatre managers told this writer, “Iss baar Diwali thandi lag rahi hai thodi.” Nevertheless, both films are mass-appealing and trade experts hope that they’ll score eventually at the box office.

Trade veteran Taran Adarsh said, “Thamma comes from the horror comedy universe, which will prove to be a major advantage. Over a period of time, they have cultivated a very strong fan base. There might be surprises as well (in the form of cameos).”

He further said, “The music is the biggest asset of Ek Deewane Ki Deewaniyat; it has really caught on. I won’t say Harshvardhan Rane is a huge star but when music works, everyone benefits. Also, Harshvardhan Rane got the push with the re-release of Sanam Teri Kasam (2016). This film is a bit different and hence, let’s wait and watch. But the music will definitely play a role in drawing the audience.”

Girish Johar, producer and film business analyst, commented, “Compared to the previous Diwali, the hype is milder. But the good part is that it’s a big holiday. Hence, I feel that the films will start on a slow note. However, if they enjoy strong reports, then they have the potential to score at the box office.”

Film exhibitor and distributor Akshaye Rathi said on an optimistic note, “The buzz for both the films is reasonably good. The day after Diwali traditionally is one of the best days for box office. Ek Deewane Ki Deewaniyat seems to be a film that caters absolutely to the front benchers and single screen audience and has got momentum courtesy the three songs, which have become very popular already. Thamma is in the space of horror comedy universe, which has seen tremendous success with Stree, Stree 2 and Munjya. Being a film in that space and hopefully featuring cameos by other characters, as it has been the case in the past, it should be a really good Diwali for all of us. I am hoping that the content of both films will fire in a good way and people will turn up in cinemas in big numbers.”

Distributor and exhibitor Raj Bansal didn’t mince words as he said, “Sadly, the buzz is hardly there. I have been talking to a lot of exhibitors and they are very disappointed this Diwali as they were expecting big films to hit the screens on the festival. Both films might still turn out to be big ultimately. But they fear that they would not open well as the star cast plays a major role in getting the audience in initially.”

He explained, “People are adopting a wait-and-watch strategy. They’ll first check the reports and then book tickets.”

Diwali releases usually arrive in cinemas a day after the big festival to take advantage of a National Holiday-like scenario. But Raj Bansal said, “Tuesday, the day these films will release, is a partial holiday. Certain people are celebrating Diwali on Monday, October 20 while some will bring in the festival on Tuesday, October 21. The big holiday is on Wednesday, October 22.”

Others, however, said that it's like a six-day long weekend in many parts of the country as New Year falls on October 22 while Bhai Dooj will be celebrated on October 23. The weekend arrives on Friday, October 24. Taran Adarsh said, “It’s a long, extended weekend, which can prove advantageous. But as I said, it all boils down to the content.”

A positive development this time is that the makers of both Thamma and Ek Deewane Ki Deewaniyat have opted for reasonable ticket prices. Taran Adarsh explained, “The makers should go for popular pricing instead of blockbuster pricing. Let’s make the film more affordable to the common man. Once that happens, people definitely come into the theatres.”

A minor hiccup has been screens-sharing issues but the trade is confident that it's not extreme this time. Akshaye Rathi explained, “It’s always the question of the law of demand and supply. That is factored by the advance booking sales and also by the momentum that the genres have had in the past. Now, it’s understandable that the horror comedy universe of Maddock has been extremely successful so far and therefore, will have an edge over Ek Deewane Ki Deewaniyat. Having said that, the music of Deewaniyat is an underlying factor, which nobody can really gauge the impact of right now.”

He added, “On day 1, there may be a scenario where Thamma may have an extremely lopsidedly high showcasing. But after the release day, what takes over is the merit of the film. For all you know, things may actually start becoming fluid depending on how both the films are received.”

He remarked, “Despite the clash and programming tug of war continuing, Ek Deewane Ki Deewaniyat has already significantly got a better deal than what it would have got on a normal day. It speaks volumes about the distribution efforts that are being put into by its makers, that too, by a new company. Interestingly, it is also the film being distributed by them as well.”

Raj Bansal said on the same lines, “It’s all between the exhibitor and distributor. The exhibitors are very smart businessmen and won’t like to harm their business. They know which film would have a bigger opening and would opt for it. In case if the distributor pressurizes them and forces them to put on more shows, chances are that the showcasing of the weaker film would reduce from the second day. However, this time, I don’t think there would be any issue of showcasing. Ayushmann doesn’t have a pull in single screens. Hence, to fight for shows in single screens is uncalled for.”

Girish Johar agreed, “It’s very dynamic. If a film does well, it automatically gets more shows. The exhibitors are the first ones to get the pulse of the audience because they are at the ground level. If they realize that the shows of high-demand films are fewer, they’ll increase their shows. This has been proved multiple times as they don’t want to lose out on cashing on the higher-performing movie. I feel there’s ample space for both the films to survive.”

Also Read: EXCLUSIVE: CBFC reduces kissing scene in Thamma by 5 seconds; replaces ‘Azaadi doonga’ with ‘Aiyaashi karata hoon’

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The title Dilwale Dulhania Le Jayenge instantly brings to our minds the 1995 classic blockbuster by Aditya Chopra starring Shah Rukh Khan, Kajol, Amrish Puri and Farida Jalal in pivotal roles.

However, it would come as a surprise to many that the 1995 movie isn’t the only one with this name. There was a film called Dilwale Dulhaniya Le Jayenge released 15 years before the Aditya Chopra film (with a different spelling of ‘Dulhaniya’).

The 1980 film was directed by Rajendra Singh ‘Atish’ and it starred Beena Banerjee, Tariq Shah and Desh Gautam. This is the only info available about this movie’s cast on IMDb. Of course, the database site also contains a very colourful and amusing poster of the film. It has an animated image of four women in vibrant clothing walking in what looks like a park full of flowers.

The poster also says that Dilwale Dulhaniya Le Jayenge was produced by Kishore Saigal and Rajendra Singh ‘Atish’ himself. It had music by Cuckoo Singh while the film was cinematographed by H Laxminarayan, who was also behind the lens in known films like Ankush, Pratighaat, Suryavanshi, Rang, Anari No. 1, etc.

However, there is no info either on IMDb or anywhere on the internet on whether the film was released. In fact, apart from the names of the few cast members and crew, there is no info about the film.

Bollywood Hungama tried digging for more details about the film. Our search led us to the well-known film historian, author and archivist SMM Ausaja. He referred to the book Geet Kosh, which is a compilation of songs of all the yesteryear films. It has an entry of this Dilwale Dulhaniya Le Jayenge movie. Apart from its songs, it also features the film’s censor details. It received censor clearance on January 30, 1980, which indicates that it did release. Its length is mentioned as 15 reels, which roughly equals to around 2 hours and 45 minutes of runtime.

The book also mentions the rest of the cast of the film in the form of Devender, Ashok Nath, Parvez Malik, Madhumita, Kavita Kiran, Vandana, etc. Some of its songs include, ‘He Mere Bhole Bhandari’, ‘Loot Liya Dil Goriye Pyaar Ne’, ‘Suno Ri Sunaau Main’, etc.

The film’s genre as mentioned in the book is ‘social’. This coupled with the song ‘He Mere Bhole Bhandari’ gives an idea that it had some religious angle as well. These two factors indicate that the 1980 film won’t be an out-and-out romance like its 1995 namesake.

From the aforementioned cast of the film, Beena Banerjee is the only one who is not only well-known but also active even today. She has worked in well-known films like Andar Baahar (1984), Meri Jung (1985), Karma (1986), Qayamat Se Qayamat Tak (1988), Baaghi (1990), Khiladi (1992), Main Khiladi Tu Anari (1994), Criminal (1994), Bewafa Sanam (1995), Zamaana Deewana (1995), Lajja (2001), Koi… Mil Gaya (2003), etc.

Some of her notable TV shows include, Katha Sagar, Gul Gulshan Gulfam, Indian, Uttaran, Stories by Rabindranath Tagore, etc. She was last seen just recently in the second season of the web series The Trial, which starred Kajol in the lead.

The trivia about an older DDLJ is sure to surprise many film lovers across the world.

Also Read: 30 years of Dilwale Dulhania Le Jayenge: Maratha Mandir’s Manoj Desai reveals Shah Rukh Khan told him, ‘Humein thank you bolo’: “I replied, ‘Shah Rukh ji, tum aur Kajol thank you mujhe bolo ki itne kam rate mein main chalata hoon”

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Actress Zaira Wasim has officially announced her marriage. She took to Instagram to share the joyous news with the caption, “Qubool hai x3.” The post featured two serene glimpses from her wedding ceremony, one showing her signing the nikah papers adorned in henna and jewelry, and another capturing her and her husband from behind, gazing at the full moon, symbolizing a sacred new beginning.

Zaira, who stepped away from the film industry in 2019 citing her spiritual journey, made a rare social media appearance to share the personal milestone. She did not reveal her husband’s identity or show his face, choosing to maintain the privacy she has long valued. Dressed in a red embroidered bridal ensemble with golden detailing, Zaira looked every bit the traditional bride in a ceremony that seemed intimate and elegant.

 

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Fans and well-wishers flooded the comments section with blessings and congratulatory messages. One user wrote, “Allahumma barik, sister. May Allah bless your marriage … till Jannah, Ameen,” while others expressed joy at her return to social media for such a heartfelt reason.

Zaira rose to fame as the young Geeta Phogat in Aamir Khan’s Dangal (2016), a performance that earned her widespread acclaim and a National Film Award. She went on to star in Secret Superstar (2017) and The Sky Is Pink (2019) before choosing to leave the film world, saying it conflicted with her faith.

With her simple caption, “Qubool hai x3,” Zaira Wasim announced her wedding with grace and humility, marking not just a union but a quiet reaffirmation of the life choices she stands by away from the limelight, on her own terms.

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On Friday, October 17, history was made as Shah Rukh Khan, Salman Khan, and Aamir Khan graced the 2025 edition of Joy Forum at the SEF Arena, Boulevard City, Riyadh, Saudi Arabia. Salman was the first to be welcomed on stage, followed by SRK and Aamir.

Salman Khan said, “I was 13 or 14 when I went to see this film called Enter The Dragon (1973). When I came out of the theatre, I thought I was Bruce Lee. And I got beaten up! But due to the impact, I realized one thing that when you come out of a theatre, somebody should want a son like you. A mother or a father should want a son like you, a sister should want a brother like you, a girl should want a husband or boyfriend like you. When you come out of a theatre, you should go back home at least 20-25% a better person. That is the character that is liked.”

He continued, “So, he (Shah Rukh Khan) is liked by all the women. They feel that ‘I want a son or brother like him’. Now, we have come to a stage where they see us and wish ‘I want a father like him’. Very soon, it’s going to be ‘We want grandfathers like them’ (smiles).” The audience laughed and clapped at this point.

Salman also observed, “None of us call ourselves stars. We don’t believe in it. Some journalists mention ‘Salman Khan, star’, ‘Shah Rukh Khan, superstar’ or ‘Aamir Khan, super-duper star’! We don’t believe it at all. At home, we are just like everyone else. I still get yelled at by my father and my mother. I still get told by my sisters and my brothers (sic). So, we are just normal human beings. It's just that so many people who we work with, they are the people who portray average, mediocre people like me, not them (pointing at Shah Rukh Khan and Aamir Khan), to look like a God on screen. So, the credit is not ours. It is your DOP, your director, your writer and then, the people and fans who want to see Aamir Khan, Salman Khan, Shah Rukh Khan, Akshay Kumar, Ajay Devgn, Sanjay Dutt on screen and they like what they see on screen.”

Also Read: Joy Forum 2025: “Shah Rukh Khan, Aamir Khan and I DON’T call ourselves stars… I still get YELLED at by my father and my mother” – Salman Khan

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Three days are left for the release of the grand Diwali biggie, Thamma, and the excitement is gradually building up. The makers, Maddock Films, completed the censor process on time and in this article, Bollywood Hungama will exclusively focus on the cuts suffered by the horror comedy.

The Central Board of Film Certification (CBFC) asked for audio cuts in three places and one visual modification as well. The word 'Alexander' was replaced with ‘Sikandar’. In another dialogue, the word ‘Ashwathama’ was muted.

In the second half of the film, the words 'Azaadi doonga' were replaced with 'Aiyaashi karata hoon'. The Examining Committee also asked the makers to ‘reduce the slurping sound of drinking blood to minimum’. Finally, a kissing scene in the second half was reduced by 30%, that is, by 5 seconds.

The last modification may dampen the excitement of the moviegoers but on the positive side, this is the shortest intimacy cut asked by the CBFC in recent times. In Sunny Sanskari Ki Tulsi Kumari, liplock visuals were reduced by 60%. In Saiyaara, the makers were instructed to delete and replace 10 seconds of ‘sensual, intimacy, body exposure visuals’. Lastly, in Superman, the CBFC axed 33 seconds of ‘sensual visual’ from Superman. It led to massive criticism as the studio had to make abrupt cuts to accommodate CBFC’s directive.

Coming back to Thamma, once the changes were made, the censor certificate was handed over to the makers on October 15. The film was passed with a U/A 16+ rating. The length of the movie, as mentioned on the censor certificate, is 149.59 minutes. In other words, Thamma is 2 hours 29 minutes and 59 seconds long.

Thamma releases on Tuesday, October 21 and stars Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui and Paresh Rawal. It is backed by blockbuster producer Dinesh Vijan’s Maddock Films and directed by Aditya Sarpotdar of Munjya (2024) fame. It is a part of the Maddock Horror Comedy Universe and hence, belongs to the same world as Stree, Bhediya and Munjya.

Also Read: Thamma Creates Diwali Frenzy: Thamma advance tickets selling fast after historic fan screening in Delhi

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On Friday, October 17, history was made as Shah Rukh Khan, Salman Khan, and Aamir Khan graced the 2025 edition of Joy Forum at the SEF Arena, Boulevard City, Riyadh, Saudi Arabia. Salman was the first to be welcomed on stage, followed by SRK and Aamir.

The host reminded them that the last time the three Khans came together was ten years ago. Salman Khan agreed, “The last time we shared a stage was at Rajat Sharma’s place.” Aamir added, “Where you both forced me to dance!”

The first question asked was about the ‘it’ factor that would turn an actor into a star. Shah Rukh answered, “This would be mine, Aamir and Salman’s experience and also of those actors who have worked for many, many years, that there’s nothing like an ‘it’ factor. If somebody ever tells you that, it is absolutely redundant and not true. You don’t know what the ‘it’ factor is. The ‘it’ factor has to do with the audience, how they perceive your persona, how you look, how you talk, and how you walk…It’s just something about a person that an audience starts liking in large numbers. If you ask Aamir right now, he’ll tell you, ‘I don’t know why I am a star’. If you ask me, I’ll say, ‘I don’t know why I am a star’.”

Salman joked, “But I know!” SRK smiled and said, “Salman is the only one! Nobody else would know.” Salman replied, “I am because if God wants you to be a star, you’ll become one!” As expected, the audience broke into applause.

Salman explained, “None of us call ourselves stars. We don’t believe in it. Some journalists mention ‘Salman Khan, star’, ‘Shah Rukh Khan, superstar’ or ‘Aamir Khan, super duper star’! We don’t believe it at all. At home, we are just like everyone else. I still get yelled at by my father and my mother. I still get told by my sisters and my brothers (sic). So, we are just normal human beings. It's just that so many people who we work with, they are the people who portray average, mediocre people like me, not them (pointing at Shah Rukh Khan and Aamir Khan), to look like a God on screen. So, the credit is not ours. It is your DOP, your director, your writer and then, the people and fans who want to see Aamir Khan, Salman Khan, Shah Rukh Khan, Akshay Kumar, Ajay Devgn, Sanjay Dutt on screen and they like what they see on screen.”

Also Read: Joy Forum 2025: Salman Khan wishes that Aryan Khan should act and supersede father Shah Rukh Khan; SRK manifests, “If Salman has a son, I’d like him to be the BIGGEST star ever in the HISTORY of mankind!”

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