The makers of the Raghav Juyal-starrer Bhai Tera Star Hai recently released the song ‘Aankhon Se Tune 2.0’, a recreated version of the popular track from Ghulam (1998), starring Aamir Khan and Rani Mukerji. Meanwhile, in the trailer, Raghav’s character can be seen claiming that he would play Bhaijaan’s bhai in an upcoming film. The meta reference alludes to Kisi Ka Bhai Kisi Ki Jaan (2023), which starred Salman Khan and featured Raghav as one of his brothers. In an exclusive interview with Bollywood Hungama, producer-director Vivek B Agarwal spoke about this aspect and much more.

When asked if Bhai Tera Star Hai will have a grand premiere, Vivek B Agarwal replied, “We are working on it and are also planning to invite our industry friends. Making this film was like one big party for us! It was a comedy, and off-screen, everyone was indulging in crazy things. We had rehearsed the film so much ki sabko ek dusre ke dialogues yaad ho gaye the. So, we want to carry this momentum forward and hold a big cast-and-crew screening, which we can call a premiere. It’ll be held a day before the release, and we intend to celebrate the fun we had while making the film.”

Since Salman Khan and Aamir Khan are also connected with the film, would they be invited to the premiere of Bhai Tera Star Hai? Vivek Agarwal smiled and answered, “I would love it if they could come and if they have the time. I do know that Salman bhai called up Raghav and congratulated him on the trailer. He was very happy with the trailer. Raghav met him as well. He told him, ‘I saw your trailer twice and the Kisi Ka Bhai Kisi Ki Jaan joke in the end was fabulous’. So, I am happy that people are enjoying the humour and taking it in their stride. It’s also good to be encouraged by people who have seen it all and done it all.”

Bhai Tera Star Hai releases on July 30. Speaking about his future plans, Vivek B Agarwal said, “There are quite a few films in development. These are ideas that I have been writing and developing for years. It’s just that I had to take the step of producing films myself, and hence, those projects took a backseat. But yes, there are several things in the pipeline, and I hope to get them going in the early part of next year. Also, my wife (Avantika Hari Agrawal) is a National Award-winning writer-director, and she’s working on her next project. We are trying to put the cast together and hopefully get the film on the floors as soon as possible.”

Also Read: EXCLUSIVE: “Bhai Tera Star Hai was shot in LESS than a month,” says Vivek B Agarwal; adds, “It takes a phenomenal actor like Raghav Juyal to make bad acting look so convincing…Sanjay Kapoor wore the wig even when he wasn’t shooting!”

Veteran actor Shabana Azmi has revealed that she has been diagnosed with H1N1 (swine flu), forcing her to miss the student protest held at Mumbai's Shivaji Park on Friday. The actor shared the health update on social media, saying she has been advised to remain in isolation for the next five days.

Azmi has been one of the most prominent public figures supporting the student-led protests over the alleged NEET paper leak. Over the past three days, she actively participated in demonstrations at Delhi's Jantar Mantar, where she marched alongside students, joined the "Chalo Sansad" rally and extended support to those on hunger strike. Shabana Azmi shares health update Informing her followers about her absence from the Mumbai protest, Azmi wrote that she had planned to join demonstrators but was unable to do so after being diagnosed with H1N1. She wrote, “"My dear Mumbaikars, I was meant to join your protest yesterday, but I've come down with H1N1 and need to remain in isolation for the next five days."

Despite her illness, the actor said she remains closely connected with the movement and continues to receive updates from those participating on the ground. Actor praises students' courage Azmi also lauded the determination shown by young protesters, many of whom, she said, were taking part in a demonstration for the first time: "I want to express my solidarity and appreciation. I'm receiving first-hand reports from the young people on the ground. Many of them have taken part in a protest for the first time and have experienced how much their voice counts."

She added that their commitment continues to inspire her: "I continue to be inspired by your courage and commitment and stand by you in solidarity."

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  A post shared by Shabana Azmi (@azmishabana18)

The veteran actor concluded her post by sharing a poem written by her late father, renowned poet Kaifi Azmi.

Azmi has been among the few celebrities who chose to participate in the protests in person instead of limiting their support to social media. During the demonstrations at Jantar Mantar, she marched alongside students, rode atop a protest vehicle with actor Prakash Raj, addressed the gathering and was also seen serving food to students observing a hunger strike.

Also Read: Shabana Azmi suffers asthma attack at Delhi protest; says, “I got an attack because of the tear gas”

Recently, Salman Khan created a storm with his tweet about the happenings in the country. Interestingly, 14 years ago, another tweet by the superstar changed the course of several lives. It was through this tweet that he announced Sajid Nadiadwala’s directorial debut with Kick (2014). This is when he announced that Sajid Nadiadwala will turn director with Kick. The action entertainer was a blockbuster at the box office and one of the biggest box office successes for a debutant director. The film is remembered not just for providing wholesome entertainment but also because the makers released a special coffee table book ‘Kick: A Karizmatic Journey’. Launched a few months after the film’s release, it consists of rare BTS images and fascinating trivia shared by Sajid Nadiadwala and the various HODs. As Kick completed 12 years on July 25, Bollywood Hungama revisited this rare coffee table book to unearth fascinating behind-the-scenes trivia and previously unseen pictures from the blockbuster.

1. Zero VFX, 100% Salman’s swag

Cinematographer Ayananka Bose opened up about the legendary scene involving Salman Khan and the railway train, “The iconic sequence was never a part of the original plan. Mr Khan was supposed to ride across the tracks on the cycle but just before he was to perform the shot, he came with this idea that he would dismount the cycle, push it ahead and just walk across the tracks nonchalantly, without even looking at the train which was a fraction an inch away from him. Sajid sir asked the team to film both the options – first what Salman had suggested and second was the original idea of cycling across the tracks. It sounded impossible to place the camera on the path of an incoming train without the help of VFX for such a sequence. This is when we decided to dig a hole and place it right in the middle of the tracks onto the path of the train. In those failing light conditions, the crew worked frantically, including Sajid sir, who was most worried about the safety of Salman sir. With the failing light conditions, it was a one-shot ‘now or never’ moment.”

He added, “What followed was history. Once the walk across the track was filmed, the original idea was never filmed!”

2. From 27 takes to no retakes:

Sajid Nadiadwala revealed a fascinating anecdote about Randeep Hooda, who had a crucial part in the film, “On the first day of the shoot, we tried doing very different stuff for the role and I was not very satisfied on the monitor. We had about 27 takes until Randeep gave the shot exactly as I was looking for. From that day, we never had any issues and for all subsequent shots, he did not cross the second take.”

3. Apprehensions that were soon put to rest

As for Nawazuddin Siddiqui’s character, Sajid Nadiadwala revealed, “He was the last possible choice on anyone’s mind. Many of my HODs did not agree on his casting, but I was very sure.”

4. The evolution of the mask

Suresh Selvarajan, special prop designer, admitted, “We made nearly 300 different masks before settling for this one, and then we did an 8-month-long research on the material. This was the first time the mask was made using 3D print technology in India…we were clear that it would be a first-time-ever or never-before mask.”

5. How Salman turned singer

Sajid Nadiadwala explained how he convinced Salman Khan to sing ‘Hangover’, “We have been hearing him for the last 20 years in a room. So, this was the best chance for the world to hear him too.”

6. London’s bus in Poland

The double-decker bus chase scene is quite memorable. The veteran filmmaker revealed, “We started from London, then Glasgow, followed by Warsaw. Thank God we got permission to shoot in Warsaw. Otherwise, we would have had to shoot in Bangkok or Hong Kong. We put both buses on trucks to transport them from the UK to Poland as they were not allowed to drive on the highway on their own.”

7. Adorable cameos

Kick marked the debut of Sajid Nadiadwala as a director and one of his sons in front of the camera. He said, “My elder brother, Subhan, has made his lucky charm appearances in most of my productions, from his debut appearance in Mujhse Shaadi Karogi (2004) and thereafter in Heyy Babyy (2007), Housefull (2010) and Housefull 2 (2012). It was only befitting that with Kick, in which his father was making his debut as a director, my younger son, Sufiyan, also made his debut screen appearance with Subhan…their presence added to the sweet taste of Kick’s success, like the ice creams they were enjoying through the filming.”

8. Sajid’s Eureka moment

In one scene, Salman Khan admonishes bystanders for failing to act in the face of injustice. Sajid explained, “There was this particular real-life incident in which a few brave boys had unfortunately lost their lives amidst indifferent onlookers. The incident had disturbed me deeply. A Eureka moment occurred when I was taking a shower in the morning and got an idea to interpret this incident in my own way. I narrated the scene to my wife as I stepped out of the shower and her reaction gave me the positivity that I had hit the right chord.”

9. The girl who left the nation teary-eyed

Diya Chalwad, who played Jhumki, was the soul of the film. Sajid Nadiadwala confessed, “Every time this part of the scene was scheduled to be filmed, I used to look for some excuse to push it back as I was not emotionally prepared to take on this part. Finally, we filmed it towards the end of the schedule, when I matured as a director and was in the right emotional space for it.”

He continued, “A special mention to Diya who could emote and cry effortlessly and made us cry on the set”

10. Salman’s 2011 blockbuster to the rescue

Ayananka Bose also revealed, “I asked (Sajid sir) how he chose me for such a big project, when he could have hired anyone from India or abroad. He answered with such simplicity that while watching the film Bodyguard (2011; also starring Salman Khan), which was shot by multiple DOPs, he came across the song ‘Teri Meri’ that was shot by me. He liked it and decided on that basis. He said his most memorable visual from the sets of the film was “the ever-smiling face of Mr Sajid, be it rain or shine, a quality rare and to be learnt”.

11. How the writer’s block was overcome

Rajat Aroraa, one of the much-loved writers of the film, remarked, “The breakup scene was one of the hardest to crack. Time was running out…I had only the beginning of the scene sorted. Things were a little tense. Sajid sir walked up to me and told me, ‘Don’t worry, Rajat. It’ll work out. Like in life, har cheez mein problem second half mein hi aati hai.  And that’s it. That’s how I got the line, ‘Main tumhare saath boodha hona chahta hoon, tumhari wajah se nahin’!”

12. Sajid’s uncompromised vision

Production designer Rajnish Hedao of Acropolis stated, “Sajid Nadiadwala’s philosophy was that if you were going to show a close-up, make it closer than any close-up has ever been. And if you are going to take a long shot, make it a larger long shot than anyone else has ever done.”

13. Action directors floored by Sajid

The action directors of Kick have spoken highly of the director-producer. ANL Arasu said, “I found the greatest producer in the film industry, Mr Sajid Nadiadwala…he is a great captain. I can proudly say that my grandfather is Sajid Nadiadwala. May God bless him.” Stefan Richter, international action director, stated, “I was given the biggest chance in my career. I will never forget the time with you guys.”

14. The hard work behind the animation sequence

Kick’s animated sequence was lovely and set the mood. Viral Thakkar, VFX Supervisor, Pixion, opened up on what lengths they had to go, “We used various references of Salman sir’s childhood and teen pictures from the internet and carefully designed the characters. The idea was not to make it look too caricature-type. We had a task in front of us with the image he carries globally. The audience loves him. We had to make him look very appealing and lovable.”

He continued, “We went through various visual references from Salman sir’s previous films on the way he performs his comic scenes. He has his own style and the task we had in hand, as far as animation was concerned, was to capture his nuances. At one point, we had to make our animators perform like him in our office just to make sure they got the animation right.”

15. The untold story behind the car

The vehicle driven by Salman Khan at the beginning of the film was a cross between a car and a motorcycle. Deepak More, DC Motors, admitted, “Despite an intensive attempt to source a pristine VW Beetle, we couldn’t find one decent one in the whole country. Hence, we were forced to follow a process that is only done when prototyping elaborate programmes for auto manufacturers. We had to build a 3D data of the VW Beetle…”

PVR INOX reported a strong turnaround in the first quarter of FY27, posting a profit after tax (PAT) of Rs 56.5 crore, compared to a Rs 54 crore loss during the same period last year. The multiplex operator also recorded a 10.4 percent increase in consolidated revenue, which rose to Rs 1,622.2 crore from Rs 1,469 crore a year ago.

The company's performance comes alongside a robust recovery in the theatrical business, with India's total box office collections growing 20 percent year-on-year during the quarter. Strong film slate boosts admissions PVR INOX credited the quarter's performance to a healthy mix of Hindi, regional and Hollywood films. Among Hindi releases, Bhoot Bangla, Cocktail 2 and Main Wapas Aunga emerged as strong performers. Regional cinema also delivered impressive growth, led by films such as Raja Shivaji (Marathi), Drishyam 3 (Malayalam) and Karuppu (Tamil).

Hollywood titles also contributed significantly, with non-franchise films including Project Hail Mary, Michael and Obsession drawing audiences to cinemas. Admissions, ticket prices and F&B sales rise The multiplex chain recorded 36.6 million admissions during the quarter, reflecting an 8 percent year-on-year increase. Its Average Ticket Price (ATP) stood at Rs 273, up 8 percent from the previous year, while Spend Per Head (SPH) increased 9 percent to Rs 161. As a result, ticket revenue rose 16 percent, while food and beverage sales registered a 17 percent increase compared to the same quarter last year. EBITDA nearly doubles, company turns net cash positive PVR INOX also reported a sharp improvement in profitability. EBITDA climbed 90 percent to Rs 229.6 crore, with EBITDA margins expanding from 8.2 percent to 14 percent, driven by stronger operating leverage.

The company also achieved a key financial milestone by turning net cash positive, ending the quarter with Rs 80.7 crore in net cash as of June 30, 2026. Ajay Bijli on the quarter's performance Commenting on the results, PVR INOX Managing Director Ajay Bijli said the company's operational performance improved across key parameters: "The industry delivered broad-based growth, our operating metrics improved across the board, and the company is now net cash positive. With a diverse content slate ahead and a capital-light expansion model, our focus remains on delighting consumers, driving footfalls and creating enduring value for our shareholders."

Following the announcement of the quarterly results, PVR INOX shares climbed 5.5 per cent to Rs 1,047.85 on the Bombay Stock Exchange (BSE), reflecting positive investor sentiment after the company's return to profitability.

Also Read: Main Vaapas Aaunga Box Office: PVR INOX-Cinepolis Week 2 collections jump 89.8% over Week 1

Veteran actor and filmmaker Kamal Haasan has voiced his support for the students protesting at Jantar Mantar, becoming one of the few prominent South Indian film personalities to publicly speak out on the issue. Taking to X (formerly Twitter), the actor shared a strongly worded statement, questioning the country's education system and urging those in power to address the concerns raised by the protesting youth.

Expressing solidarity with the students, Haasan criticized what he described as systemic failures that have left young people feeling unheard. He also appealed to education reform activist Sonam Wangchuk to end his ongoing fast while emphasizing that the responsibility now lies with the nation to respond to the students' demands.

Sharing his thoughts on social media, Kamal Haasan wrote, “We should have listened when one child cried. Instead, we waited until far too many of our children died. A system where coaching replaces learning, anxiety replaces curiosity, and criminality replaces merit is rotten. A nation has failed when its children are met with barricades and batons instead of answers. @Wangchuk66, the nation will need your conscience for the journey ahead. Please end your fast. To the children of India: You are the best of us. You have done your duty. It is now time for the country to do its duty by you. May your dreams forever be bigger than our failures. @cockroachisback #CJPProtest.”

We should have listened when one child cried. Instead, we waited until far too many of our children died.

A system where coaching replaces learning, anxiety replaces curiosity, and criminality replaces merit is rotten.

A nation has failed when its children are met with…

— Kamal Haasan (@ikamalhaasan) July 23, 2026

The actor's statement comes amid growing conversations surrounding the ongoing demonstrations at Jantar Mantar, where students have been demanding accountability and reforms. Haasan's post highlights concerns over the pressures of the current education system and calls for meaningful action instead of confrontation. While several celebrities from the Hindi film industry have expressed support for the protesting students over the past few days, Kamal Haasan is among the few leading South Indian stars to publicly take a stand on the issue.

As the protests continue to draw nationwide attention, Haasan's message adds to the growing list of public figures urging authorities to engage with students' concerns and work towards meaningful solutions rather than allowing the crisis to deepen.

Also Read: PM Modi completes 12 years: Ajay Devgn, Kamal Haasan, Govinda, and other celebs react to historic milestone

Veteran actor and filmmaker Amol Palekar has voiced his support for students protesting over the NEET paper leak by writing an open letter expressing solidarity with the youth-led movement. As demonstrations continue in Delhi demanding accountability and education reforms, the actor praised the courage of students and said they are carrying forward the unfinished work of democracy.

Addressing the protesters as "Dear brave students," Palekar wrote that he was writing not only in solidarity but also with gratitude. "Every generation inherits the unfinished work of democracy. Yours has accepted both the burden and the privilege of carrying it forward," he wrote. Draws parallels with history and literature In his letter, Palekar referred to Albert Camus' Caligula, saying the play reflects how unchecked power can become detached from moral responsibility. He added that the recent developments in Delhi reminded him of those themes.

The veteran actor also cited historical student movements and struggles across the world, including the Paris student protests of 1968, the anti-apartheid movement in South Africa, Tiananmen Square and the Navnirman Andolan in Gujarat, arguing that attempts to silence young voices have never succeeded in suppressing the desire for freedom. "The images filled us with anguish and anger" Reacting to the reported police action against protesters, Palekar said the visuals left him deeply disturbed. "The images of the brutality inflicted upon you have filled us with anguish and anger," he wrote.

He added that universities are places where society learns to question itself and said asking those in power difficult questions is a democratic responsibility rather than a privilege. "When questions are answered with batons instead of reason, it is not the students who stand diminished. It is the State," the actor wrote. Explains why he did not join the protest Palekar also explained why he did not attend the demonstrations in person. He said advancing age has imposed physical limitations, even though his convictions remain unchanged. He also noted that he deliberately chose not to participate physically because he did not want public attention to shift away from the students.

"This is your movement, your voice, your moment of moral courage. You do not need celebrity validation. Democratic movements derive their legitimacy from the courage of those at their centre, not from the visibility of those who stand beside them," he wrote. Offers support to students The actor concluded his letter by assuring students that he and his wife, Sandhya, would continue supporting them in every way possible. He even offered legal, medical and financial assistance within their means if required. Encouraging students to remain hopeful, he wrote, "Today you may be called students. Tomorrow you will be known as the generation that chose courage over silence. The future belongs to those who refuse to surrender their humanity."

The ongoing demonstrations began over the alleged NEET paper leak and demands for systemic reforms in the education sector. The movement has received support from several members of the film industry, with many celebrities calling for accountability, dialogue and peaceful resolution while expressing solidarity with students.

Also Read: Kamal Haasan backs Jantar Mantar protest, questions system in powerful note: “A nation has failed when its children are met with barricades and batons”

Filmmaker Anurag Kashyap has opened up about his decision to distance himself from Bandar, starring Bobby Deol, revealing that the version released was not the one he had envisioned. During a conversation with comedian Kunal Kamra, the filmmaker candidly spoke about creative compromises, the impact of corporatisation on filmmaking, and why he deliberately chose not to respond to the criticism the film received.

Explaining his silence after the film's release, Kashyap admitted that he did not feel comfortable defending a project that no longer reflected his intended vision. Addressing the criticism surrounding the film, he said, “When I said don't watch, it's because I can't own up… If you noticed, I didn't give any interviews on the film. Because whatever came out is not my final cut. So, the criticisms that came the movie's way are quite valid. I wanted to put out something I could stand up for. As a result, I couldn't stand up against the criticisms against the movie."

The filmmaker also reflected on how the industry's functioning has changed over the years, suggesting that the increasing corporatisation of cinema has altered the creative process. Comparing the current ecosystem with the past, Kashyap remarked, "Unlike before, things have become corporatised today. It’s not like all producers are making movies by mortgaging their houses or because they believe in the work. Some are making just to ensure that their movie is a success."

Speaking further about the themes explored in Bandar, Kashyap maintained that audiences who understood his intent would recognise what he was trying to convey, despite the changes made to the film. He said, "Those who could see my intention, they didn't need to watch it, because they already know what's being shown. The problem is with those who don't know what it's about and they need to watch it to understand the perspective. Only those who aren't self-aware get carried away; or those who aren't aware of what goes on. Those who are aware won't have expresses solidarity with... protests, asks what... a problem; they will dismiss it right away.”

Kashyap further clarified that while the film largely retained his visual storytelling, editorial changes significantly altered its perspective. Elaborating on the impact of the final edit, he said, “Cinematically, everything else is pretty much mine… but they changed it by taking something out. Thus, the perspective has been changed. The tilt has changed a little bit. Whatever was there, was made by me. I shot it. But what they have edited out has really affected the outcome.”

His remarks have once again reignited conversations around creative freedom, director's cuts, and the influence of studios and producers on the final version of a film. While Bandar was discussed for its subject matter and performances, Kashyap's latest statements shed light on the challenges filmmakers often face in preserving their original creative vision.

Also Read: Anurag Kashyap joins Chaar Diwaari as presenter ahead of North American premiere at Fantasia Festival